Showing posts with label Flowers. Show all posts
Showing posts with label Flowers. Show all posts

Wednesday, July 30, 2014

Solera Pull No. 2 - Straight and on Flowers

One of the great skills of the lambic brewers and gueuze blenders is identifying which barrels are best blended, fruited, dry hopped, saved, or served straight. It isn’t that the “best” beer is used for one application and the second best for another, they’ve learned what flavor work best for each application (or specific fruit). Instead of deciding on brew day what ingredients you’ll add to a batch of sour beer, try drinking a sample and imaging what flavors might enhance its positives and conceal its flaws (if either is required).

Here is a tasting of two versions of the second pull from the wine barrel solera in my basement!

Tasting the second pull from the solera Nathan and I started back in 2010!Solera Pull #2

Appearance – Slightly cloudy, appears to be yeast particulate (clearly I didn’t stop the pour early enough). Vibrant golden-yellow body. The white head is unremarkable, sinking to a thin ring after a few minutes of inspection.

Smell – Despite an additional pitch of Wyeast B. bruxellensis this wine barrel has consistently produced beers been less funky than most of my batches. It shares many similarities with Petrus Aged Pale rather than a lambic or gueuze. The vinous barrel shows through nicely, really the star of the aroma.

Taste – The flavor starts and ends with bright acidity. Very lactic, and firm while sidestepping harshness. There is a rounded malt flavor that compliments and even balances the acidity successfully. Fruity, faint Granny Smith? There just isn’t as much character here as I’d expect from the second pull from a solera fermented with ECY Bugfarm, I need some funky, earthy, citrusy something!

Mouthfeel – It has a medium-light body with moderate carbonation. Not light and spritzy enough for a lambic, which further enhances the Flemish-pale vibe.

Drinkability & Notes – A solid beer, but I think this one excels as a base for other flavors (with fruity dry hops for example it was transformed into one of my favorite beers). It doesn’t have the complexity that a sour needs to stand on its own. It’s probably passed time for another pull, or a decision that the solera has run its course.

While brewing the classics is always fun, I think most homebrewers enjoy venturing off the well-trod path occasionally. When Nathan (now a "savant" according to the WaPost) and I started our two soleras a few years ago we decided to use it to experiment with some of the more interesting concepts we could come up with: roasted butternut squash, cinnamon, and nutmeg; infused with elderflowers; aged on Cabernet Sauvignon wine grapes etc.

This is the same beer as above, but this five gallon portion was aged on one ounce each of dried chrysanthemums and jasmine flowers. We racked out of the barrel in May, 2013 into a carboy with the flowers and bottled a few weeks later.

Flora Solera

Gorgeous pour of the solera aged on chrysanthemums and jasmine flowers!Appearance – A bit more careful on the pour on this one and it has a stunningly clear golden body (thank you protein-munching bacteria). Head retention is actually pretty good for a sour beer, better than the plain portion.

Smell – While it might look like a lager, it certainly doesn’t smell like it. The mums lead with their weird-floral-herbaceous character. I don’t pick out the jasmine distinctly, but I suspect it is keeping the beer more towards the floral than the herbal. Relatively straight ahead sour beer behind that, it projects a touch of acetic/vinegar.

Taste – Big acidity leads. No vinegar, but loads of lactic. The result is a firm acidity, but none of the sharpness I get in the finish from vinegary beers. The jasmine adds a juiciness to the mid-palate, while the mums contribute an interesting almost toasty finish. The flowers combined to add some interest to the relatively bland base.

Mouthfeel – Medium-light body, works well with the slightly elevated alcohol. Firm carbonation, but nothing disruptive.

Drinkability & Notes – Intriguing, but not likely an experiment I’d repeat. The jasmine and mums don’t blend harmoniously with the base beer, they stick out too much. So many interesting flowers available, this likely won’t be the last time Nathan and I brew something “weird” like this!

Monday, April 21, 2014

Adding Spices and Herbs to Sour Beers

Originally (most of) American Sour Beers Chapter 11 - Adding Spices and Herbs

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Hops are included in pretty much every beer recipe these days, but just like pure cultures of brewer's yeast, their dominance is a relatively recent phenomenon. Five hundred years ago, the addition of hops was considered controversial because gruit, secret blends of herbs and spices controlled by church and king, served as both seasoning and taxation for European brewers. Since then, hops have become the near universal herbal counterpoint to malt’s sweetness, but brewers avoid imparting significant hop character to sour beers because of their clashing bitterness (aside from a few dry-hopped examples). Despite the minimal hop flavor contribution nearly all sour beer recipes include hops, either aged (which degrades their bitterness) or in low quantities.

Many of the best sour beers have complex herbal, spice, or floral notes that result from the magical interaction of microbes, oak, and oxygen, that occurs during extended aging. To produce a specific flavor, you are at the mercy of chance, unless you add herbs (flavorful leaves), spices (other part of a plant, usually bark or seed), or flowers that impart the desired flavor. While a few brewers are trying to revive the gruit tradition, most add a combination of botanicals and hops. Examples of the most common brewing herbs and spices are: orange peel, grains of paradise, heather, coriander, cinnamon, and nutmeg, but there are scores of others available from specialty spice retailers, and herbalists. Many botanicals do not impart bitterness so their flavors are more harmonious with sourness.

Well executed spicing of a sour beer demands subtlety. Try to stay around the flavor threshold, leave some mystery. Let people argue over whether the beer is spiced and about what was added. Getting the balance right often demands the art of blending.

Ideas for Spiced and Herbal Beers

Spices can enhance a character that already exists in a batch while other spices can return balance to a beer. Earthy spices, like black cardamom and white pepper, temper a beer that is overly bright. To test if the addition improves the beer, either make a tea with the spice or sprinkle a pinch of the ground spice into a sample of the beer, swirl, and smell. Beers often lose brightness as they age, so time is also a good option if you are looking to mellow a certain aromatic.

There are a few spices that have the ability to conceal less desirable flavors. Vanilla is the archetypal addition to obscure unpleasant or rough flavors. It is a good option for a beer that has an objectionable funky character that refuses to go away. Consider combining spicing with a fruit addition. According to  Jean Guinard in Lambic (Classic Beer Style), at one time Brasserie Cantillon added a touch of vanilla to Rosé de Gambrinus, their raspberry lambic. At the right level this would enhance the oak derived vanillin, without disrupting the delicate balance of fruit and funk. This is the sort of subtle spicing that enhances sour beers.

Avoid pre-mixed spice blends, and instead create your own. The more control you retain, the better your ability to adjust future batches. De Struise Brouwers employs a custom spice blend in several beers, including their sour brown Aardmonnik/Earthmonk, to produce a house flavor in the same way that other brewers have a signature house yeast strain. In their case the blend is cinnamon, coriander, orange peel, and thyme.

If you like the flavors of your beer, but think they need a boost, there is no better flavor enhancer than ordinary sodium chloride (table salt). Salt reduces the perceived bitterness, making it a valuable addition for an over-hopped sour beer, and makes beers taste fuller and richer. I prefer non-iodized varieties, such as those sold as kosher, pickling, and unrefined sea salt. Measure by weight because the salt crystal size has a huge impact on the density. Salt is a traditional addition in the production of the tart gose of Leipzig, Germany. I use.1-.2 oz/gal (.75-1.5 g/L) of salt is the right range to be able to sense the sodium, but not so much that the beer tastes briny.

Cold-side additions are much easier to incorporate if you dissolve the salt in boiling water first. Salts impregnated with other flavors are an interesting option; The Bruery adds truffle salt to their gose, Salt of the Earth, to contribute a delicate loamy flavor. The drawback of adding flavored salts is that they do not allow you to control the salinity and flavor intensity independently. You want to avoid situations where you are forced to compromise by adding more salt than desired.

Patrick Rue, the founder of The Bruery, often takes influences from the food world for his beers. In addition to Salt of the Earth, he includes Thai basil in Trade Winds Tripel, and ginger’s cousin galangal in a 100% Brettanomyces black beer, Gunga Galunga. Even if these particular ideas do not appeal to you it is worth looking to the culinary world for inspiration. The Flavor Bible: The Essential Guide to Culinary Creativity, Based on the Wisdom of America's Most Imaginative Chefs (Little, Brown and Company, 2008) is an especially good resource; for each of the hundreds of ingredients, the book lists dozens of suggested flavor combinations identified by a group of respected chefs. To take advantage of it, taste a beer and search for the flavors you detect (e.g., lemons, vinegar, red wine, cherries etc.) and see if any of the suggested combinations spark your imagination.

For a floral addition, flowers like lavender, elderflowers, chamomile, hibiscus, and heather can be added. Flowers are especially well suited for giving a freshness to a beer that tastes old or stodgy. It is possible to add flowers either alone or in combination, but smell them first because there are certain ones, lavender especially, that remind many people of soap. Cantillon’s Zwanze 2009 (since released as Mamouche) is two-year-old lambic flavored with freshly handpicked elderflowers—the floral character was potent, reminiscent of fresh green jalapeño peppers. I did not achieve the same flavor from using commercially dried elderflowers. However, the flavors that are extracted by alcohol in a low pH environment are sometimes surprising, so testing extractions in a bottle of beer before committing to an entire batch is advisable.

There are several botanical additions that work well in clean beers that are much more challenging in sour beer. For example the bold coffee and chocolate additions that work so well in big sweet stouts do not succeed when combined with a dry and sour base. Success depends on subtlety and subterfuge, as Jolly Pumpkin Artisinal Ales achieves with cacao, cinnamon, and sweet orange peel in Maracaibo Especial.

Consider flavoring a beer to make it evocative of a certain time and place. For example adding smoked malt, spruce, and elderberry evokes a Scandinavian winter, while roasted squash, cinnamon, and nutmeg recall Thanksgiving at grandma’s house. Remember to consider the base beer in tandem with your concept; a bright pale sour is not a good choice for the base of a Christmas beer (unless you go with something like citrus and spruce tips). But adding .2 oz/gal (1.5 g/L) of dried elderflowers to a pale sour ale for two weeks prior to bottling added the aroma of a summer meadow. Select the proper grist and techniques to create a base beer that marries rather than clashes with the added flavors.

Spicing Saison

In some brewers’ minds spicing is synonymous with saison, but this is not the case. For the most part the spicy flavors you taste are produced by the fermentation. When actual spices are included in a recipe, they should be subtle and build character without trampling on the flavors of the yeast. Spices that complement the peppery yeast character especially well are peppercorns (black, white, or pink), grains of paradise, and long pepper (commonly used in Indian cuisine). Gabe Fletcher of Anchorage Brewing Company adds black pepper (along with coriander and lemon peel) to his Brettanomyces finished Chardonnay-barrel-aged Whiteout Wit. Ginger can add a bit of heat, but be careful when adding dried ginger because it can easily overpower the yeast character.

Spices for St. Somewhere's Saison Athene.Bob Sylvester, the founder of St. Somewhere Brewing Company, says “I like to use mostly local, indigenous ingredients. Cane sugar, saw palmetto, hibiscus, wild local yeast from open fermentation, locally grown rosemary, lemon leaves, elder flowers and so on.” Rather than copy what another brewery is doing, find local ingredients to incorporate into your recipe. Brewing seasonally allows you to incorporate summer flowers such as chamomile, honeysuckle, jasmine, chrysanthemum, lavender, marigolds, and dandelions that can add delicate flavors.

A low finishing gravity can cause spices to taste harsh. Brian Strumke, founder of Stillwater Artisanal Ales, had this to say “Spicing has loads of variables, not all spices or herbs, flowers, etc. are equal. They are unique ingredients and you must know what you are working with in order to get them to do what you want. I have done both hot and cold infusions on various herbs and spices, it comes down to what and when.” Always experiment with hot and cold extraction teas to gauge the intensity of a new ingredient before adding it to the beer. Alternatively added to taste at packaging, a tea provides control to determine the flavor contribution that works best for the beer.

Quality

As important as which botanicals you select, is where you source them. To get the highest quality dried herbs and spices, buy them as whole as possible from a specialty spice supplier. Whole spices retain their flavor longer than ground or powdered versions because of their lower surface area, which slows the loss of volatile compounds. Ethnic markets are full of inexpensive and interesting botanicals (as well as sugars, fruits, and other exotic ingredients). Tea shops are another source; herbal and flavored teas have intense flavors and are designed for extraction in water. The subtle flavors of black/oolong/green/white teas can work as well, for example the Lost Abbey Veritas 008 and Vanberg & DeWulf Lambrucha.

Try to support stores that allow you to smell the product before you buy it; this is mandatory if you are buying pre-ground spices whose aromatics will mute within weeks of grinding. Specialist online retailers have huge selections, and are invaluable if you are looking for obscure ingredients that you cannot find locally. The disadvantage of shopping online is that you cannot inspect before buying.

Unlike hop suppliers, who list the alpha acid content to convey the pungency of the hop’s bitterness, spices and herbs come with no such potency rating. To determine their strength you will have to do a sensory evaluation by smelling them, or steeping in hot water and tasting. This is especially important when adding the botanicals to the boil; if you are unsure, err on the low side, as you can always make another addition later in the process.

Many spices benefit tremendously from toasting before grinding. The heat alters the aromatics, often making them more potent and complex. You can research how your chosen spice is usually treated in cooking, but there is no harm in toasting the spice in a dry pan to smell for yourself how the aroma changes. Again taste tests are crucial, what works for a spice in a barbecue dry rub may not work for a sour beer.

Timing Additions

There are numerous opportunities to add spices and herbs, although unlike clean beers you must take into account the long aging period sour beers require before consumption. Age tends to mellow the character of aromatic ingredients, but there are those that are surprisingly long lived (especially the more pungent spices like black cardamom and clove). In addition, certain strains of Brettanomyces can ferment the glycosides (an aromatic aglycone bound to a sugar molecule) contributed by spices like coriander and herbs including hops, changing or enhancing their flavors.

Your first opportunities for these additions come on the hot side of the process, with additions during the last five minutes of the boil being the most common. Boiling spices or herbs, even for a few minutes, tends to mute their aromatic character, but also better integrate their flavor into the beer. Late-boil additions are an ideal time to impart subtle aromatic complexity. The earlier in the boil most spices are added, the less of their flavor will remain after fermentation. However, longer boil times tend to increase the longevity of the flavors that do remain. The major disadvantage with this method is that you have to decide what and how much you will add before tasting the fermented beer. As a result, I do not use this method the first time I brew with an ingredient. Boil or whirlpool additions are a good technique when you have a recipe that you know works with later additions, which you want to be subtler.

The next opportunity to add botanicals is directly to the aging beer. The combination of alcohol and water in beer are able to extract a wider range of compounds than a hot side extraction in wort. It is best to let the beer age until it is ready for packaging before making an addition. Waiting to see where the character lands will give you an idea of how much of a given flavor you want to impart. To ease separating the ingredient from the beer, enclose them in a large mesh bag (packing ingredients tightly into a small bag prevents good contact with the beer). Fermentor additions have the advantage of allowing you to taste the beer as it infuses; when the right balance is reached, remove the botanicals or package the beer.

Adding botanicals directly to the beer requires minimal effort and equipment, and is effective. However, until you gain the experience to judge their quality and impact on the beer it is easy to over- or undershoot the desired character. This is especially true of working with herbs and spices that are not among the handful commonly added to beer.

Extractions

If you are not confident about the amount of herbal or spice personality you want in a beer, especially when using a new ingredient, the best method is to extract its flavor into another substrate. This flavorful extract should then be dosed into the beer to taste at packaging. This extraction can either be accomplished quickly by a hot water “tea” or slowly in alcohol to produce a tincture. With either method you want the extraction to be highly concentrated so that you do not have to add a large volume to attain the desired profile.

For a tea, soak the ground botanical in chlorine-free water that is barely off the boil; after five minutes, filter the tea through cheesecloth or a coffee filter to remove the solids. If this produces a harsh flavor, try a lower temperature, shorter steep, or coarser grind. The more finely ground the ingredients the faster the extraction, and thus the smaller window you will have before over-extraction. It is best to perform this process separately for each ingredient initially, to allow you to optimize the extraction and dosing for each.

One of my most successful uses of this method was a tea of hibiscus (also known as jamaica), providing a vibrant tart-cranberry flavor in addition to a bright red color paired with jasmine that offers a floral character sometimes added to teas. I added the teas directly to a pale unhopped base beer, fermented with a combination of the Scottish Heavy strain from East Coast Yeast and Lactobacillus, at the same time as the priming sugar.

Many aromatic molecules are soluble in alcohol, but not in water; you may want to try both tea and tincture to see which extraction produces the best results for a particular ingredient. To create a tincture, soak the ingredient in neutral vodka, or a more flavorful spirit if you want to add an additional dimension. After a few day or weeks, when the aromatics have been extracted, but before any harsh compounds have, filter the infused spirit to remove the remaining solids. Once you have your concentrated flavoring, add it to a measured sample of beer and taste. You may want to force carbonate the sample blend to gauge how much carbonation will heighten the aroma profile. When you determine the ideal ratio, scale it to the target volume of beer. Hold back 10% of the calculated volume of extract, taste the well-mixed beer, and add the remainder if needed. Remember that the character will gradually mellow with age, so you may wish to aim slightly more assertive than your desired level.

Extractions are a simple and controlled way to split a batch into several variations. Take a six-pack from a batch at bottling and add a different extraction to each one of the bottles before capping to learn what works with the finished beer. Experimentation is invaluable with hundreds of culinary plants available, each with its own unique character to contribute.

Final Thoughts

Even though hops do not usually have much direct impact on the flavor of sour beers, leaving them out entirely may allow excessive Lactobacillus activity. Added with hops rather than to replace them, spices and herbs can add depth, or conceal off-flavors. They can even impart substances that Brettanomyces can combine or break-apart to create new flavor compounds. As gruits age, certain aromatics will peak and fade, allowing for more dramatic changes than those seen in a beer flavored with only a single herb (hops).

Think about flavor combinations that work well in other beers and foods, focusing on finding complementary as opposed to contrasting flavors. Classic combinations can be adapted to brewing, but experiment to determine what does and does not work in your beer

Monday, April 14, 2014

Gruits and Other Hopless Beers

A section removed from American Sour Beers:

Commercial Gruits

This was originally a portion of Chapter 11, which covered adding spice/herb flavors to stock sour beers that already contain hops, but there are also beers that contain no hops at all. For centuries European brewers added a blend of bitter and aromatic herbs called gruit to balance the sweetness of the malt. Beers brewed with a similar blend of herbs and spices are now known as gruits. Most of the historic spiced beers would have quickly developed a sour character because they lacked both the anti-microbial power of hops and pure strain fermentations.

While the exact gruit formulations were kept secret, the combination of yarrow (bitter, sage-like), marsh rosemary (spice, sour-ish), and sweet gale (spicy-eucalyptus) is generally regarded as the standard base. This is the combination many brewers add to their first batch of gruit, and it can work well (although generally not in equal parts).

For more historical accuracy you can add a small amount of smoked malt as HaandBryggeriet and Brouwerij de Molen did on their collaborative Menno & Jens (a gruit that had a unique flavor that was smoky, tart, and herbal). It included 80% wheat and rye, and was spiced with a combination of yarrow, Myrica gale, and mugwort. The result was complex, with all of those wild flavors playing with each other differently on each sip.

Rather than trying to recreate the flavor of historic gruits, some brewers make the concept their own. For example, Upright Brewing added lemongrass, hyssop, bitter orange peel, and Sichuan peppercorns to their Reggae Junkie Gruit. The herbs and spices were selected on a trip to a spice store. The resulting beer had a potent, though not overpowering fruity-herbal aroma. The brewers soured a portion of the batch in a gin barrel to create Special Herbs, part of their Sole Composition series.

As with hoppy sour beer it is best to go easy on bittering herbs (e.g., wormwood, sweet gale, yarrow, marsh rosemary, and Labrador tea) and instead concentrate on later additions for a more aromatic character; this is similar to the standard hopping strategy, as sour and bitter do not mesh together well. The bitterness from small amounts of herbs tends to be quick, not lingering like hop bitterness, which makes herbal bitterness somewhat more compatible with acidity. However, while hops need a long boil to isomerize their alpha acids to create bitterness, many other herbs contribute bitterness without undergoing a long boil (especially wormwood and mugwort).

Cambridge Brewing Company (CBC) is one of the most innovative American breweries when it comes to gruits and related hopless beers. Brewmaster Will Meyers was initially inspired by European beers like Williams Brothers Fraoch Heather Ale and the dubbel-ish Jopen Bier’s Koyt, but felt that they were too restrained in their spicing. When developing recipes, his first step was to evaluate the classic herbs, starting with smelling and tasting samples of each. Meyers steeped 2 tablespoons (30 mL) of each in a cup (237 mL) of 180°F (82°C) of water, tasting each after one, thirty, and sixty minutes. This gave him an idea of how much time each herb required for optimal extraction. Meyers raised the option of brewing single-herb experimental batches, but also said that he had not learned much more from them than he did from the teas. His biggest discovery from these trials was that he did not care for the strange sour flavor of marsh rosemary (Ledum palustre); substituting Labrador tea gave a flavor that was less aggressive and preferable to his palate. When Meyers uses marsh rosemary it is in small quantities, and only for the sake of tradition.

Meyers and his brewers harvest 1 pound of wild heather per barrel (.4 kg/hl) in Westport, Massachusetts (overlooking Buzzard's Bay) for their Heather Ale. The beer also receives a few ounces of lavender and sweet gale. Aged in Chardonnay barrels with Lactobacillus, and served at The BeerAdvocate Extreme Beer Fest Night of the Barrels festival in 2007, it tasted brightly acidic and remarkably fresh for a five-year-old 4% ABV beer. In this case, the sourness balanced the malt because none of the herbal additions provided much bitterness.

CBC's Weekapaug Gruit is a clean fermented beer based on a mash of pale and dark caramel malts, along with wheat, oats, and rye. It is fermented with their house Belgian ale strain, which is allowed a free-temperature rise. Weekapaug has the right balance of herbal complexity, but on tap it lacked the sourness that I loved in the aged Heather Ale. Luckily, the first bottled batch was nicely tart (possibly from the marsh rosemary). For a recent 10 bbl (12 hL) batch, Meyers added a substantial addition of 1 pound (.45 kg) of heather, but the rest of the additions were between a half and 4 ounces (14-113 g). Remember that these amounts are for a commercial batch, so for a homebrew amount an accurate scale with .1 gram precision is necessary. Early boil additions included stinging nettles, Labrador tea, heather, and aged hops. Additions at the end of the boil included yarrow, licorice root, as well as more nettles and Labrador tea. Meyers planted many of the more obscure herbs in a bog near the cabin where he produces 100 cases a year of grape wine as Linus Creek Wines. For each batch of Weekapaug he makes subtle adjustments to the recipe depending on the aromatic intensity of the individual herbs.
  
Gruit is one of the most interesting and least explored areas of commercial brewing today. They take the spicing of beer back to the same time that sour brewing brings the fermentation. A word of warning however, in addition to the well-known risks posed by alcohol, some of the herbs (most notably mugwort) that are added to gruits are extremely dangerous for pregnant women to consume. Hygieia: A Woman’s Herbal by Jeannine Parvati and Stephen Harrod Buhner’s encyclopedic Sacred and Herbal Healing Beers have more detailed information on herbs that are of concern.

Fire Pit Gruit

Craft brewers are not the only ones to feel the lure of gruit. In the summer of 2011 I drove out of DC to the border between Virginia and West Virginia to brew a gruit over an open fire with two gruit-nerds, Marty Fair and Martin Gross. When they started brewing gruits a couple years earlier they bought most of their herbs in bulk from online specialty shops, but have since started either growing and foraging many of the key ingredients for themselves. The only one of the mainstay herbs that is problematic to acquire is marsh rosemary, which they buy for 10 USD a jar from a Canadian who forages it. Like Will Meyers, they too feel that Labrador tea is the best easily accessible alternative.

They brew 30 gallons (114 l) at a time, boiling in three converted kegs that sit on a metal rack above an open fire pit. Fair builds guitars for a living, and as a result has plenty of scrap hardwood to burn. While certainly closer to the way beer was brewed for millennia before the discovery of natural gas and propane, the open fire did not add a noticeable character to the finished beers. However, their method certainly gave the brewing process a more primal feeling. The bow-hunted venison that was roasted over the fire, and then served for dinner only enhanced the experience.

The most impressive thing about the gruits they shared (Classic, Sage, Burdock Root etc.) with me was that despite being young they did not have an overpowering herbal flavor (something that plagues several of the commercial examples, like Professor Fritz Briem 13th Century Grut Bier). Fair and Gross are still tinkering with the timing of their herb additions, sometimes adding all of the herbs near the start of the boil, and others saving the more aromatics herbs for an addition 10 minutes from the end of the boil. Their gruits develop a tart character from being allowed to cool loosely covered outside overnight before they pitch dried yeast.

Thursday, March 29, 2012

Elderflower Sour Golden Ale

Not a bad looking glass of elderflower infused golden sour.This elderflower infused sour ale is last of the four beers that Nathan and I made from the first pull from our solera wine barrel. This version was inspired by the aggressively flavored Cantillon Mamouche lambic. We recently did a tasting of this beer, and the two of the other versions, with James and the rest of the crew on Basic Brewing Radio.

Elderflower Golden Solera

Appearance – Looks similar to the other versions of this beer (other than the one on Cabernet grapes) brilliantly clear golden-yellow with a quickly receding white head.

Smell – The elderflowers add a soft fruity/floral character that blends nicely with the wine barrel. It is amazing how dissimilar the aroma is from the unexpected green pepper character I smelled in Cantillon Mamouche. Not sure if that is a result of the amount of flowers added or that we used dried and they used fresh. There is still some fruity-funk from the bugs as well.

Taste – The acidity comes across as almost citrusy. It is very front of the tongue, bright, crisp, and sharp. Reminiscent of lemonade, minus the sugar. The fruitiness is really nice from the barrel, Bugfarm, and flowers. The finish lingers with the floral character featuring more prominently.

Mouthfeel – Firm carbonation, although well short of being spritzy. The body feels surprisingly full for a dry/sour beer.

Drinkability & Notes – Very enjoyable, although I could stand a slightly more aggressive elderflower flavor than the one ounce for three weeks delivered. The flowers do obscure some of the more complex fermentation flavors of the plain version, but their flavor makes up for it. Interestingly, the floral character seems to have built as the beer as aged in the bottle, with some of the “young” flavors cleaning up over the last few months.

Thursday, March 31, 2011

Jasmine-Hibiscus Summer Ale Tasting

This batch started out as the second half of the same base beer that produced the Heather Gruit; the only difference between the two was that they had different flowers added at bottling.  It is amazing how much impact the flowers have on the entire character of the beer, from the appearance to the flavor. 

Hibiscus is an interesting flower (sepal technically, i.e the part of the flower that isn't the petal), widely used in beverages around the equator. The most notable characteristic is the bright red color the dried flowers impart to whatever liquid they are steeped in. The flavor of hibiscus is tart and cranberry like, making it an interesting addition to either a refreshing summer beer, or a holiday beer.

The aroma from jasmine flowers are most often imparted to green tea before brewing (although I've also seen them included in with the tea leaves).  The volatile compounds are very delicate so adding jasmine as late as possible in the brewing process is a good idea.

I'm really happy with how this one turned out, but the light/fruity flavor is hard to fully appreciate while the weather is so dreary.

The addition of hibiscus makes for a striking summer ale.Jasmine-Hibiscus Summer Ale

Appearance – Talk about a red ale! (Although if pushed I'd have to call it more pink than red). Almost clear, with a slight haze that will hopefully drop out with a bit more age. The head is tight/white and hangs around for a couple minutes.

Smell – Tart berry aroma with some floral aspects. The jasmine comes off slightly soapy, but the fruity hibiscus takes the lead. There isn't much of the yeast or malt character I smelled in the heather/lavender half of the batch.

Taste – Smooth and mild with a slight tartness that is only marginally stronger than the other half of the batch. This one tastes cleaner as well, it makes me wonder how much of that rustic character was the yeast and how much was the heather. Light cranberry flavor makes it really quenching. Subtle bready malt lets you know it isn't a “malt” beverage.

Mouthfeel – Medium-light body with moderate carbonation. This one could use a bit more carbonation; spritzy complements a light/crisp beer like this.

Drinkability & Notes – This will be a great summer beer (not that I'm looking forward to the hot season here in DC). The lack of bitterness makes this something that can be drank quickly, while the flowers and slight tartness keep it balanced.

Monday, March 28, 2011

Adding Flowers to a Gruit

Heather tea, took a lot to provide the flavor I wanted.About a month ago I posted the recipe for the base gruit I brewed.  It was a simple recipe, unhopped (obviously) but also without any of the other botanicals you'd expect in a gruit.  I should say that I'm using gruit in the generic sense to mean a beer flavored with something besides hops, and not necessarily the classic combination of bog myrtle, yarrow, and wild rosemary. A few weeks later when the beer had fermented out and was ready to bottle I spent a few hours making teas by steeping the various flowers, as well as tasting, blending, and bottling.

Lavender tea, color almost looks fake.The base beer was alright on its own, but a bit bland.  The Lactobacillus didn't add as much sourness as I was hoping for (especially considering there weren't any hops to inhibit it), but it did add a touch of acidity that helped balance the residual malt sweetness.  Similarly I couldn't taste the oak, but I suspect the tannins it added helped cut through the malt.  The Scottish Heavy yeast strain was pretty clean, but it did leave some earthy/rustic character that really made the beer taste more "historic."

To make the flower teas I used my French press.  With its built in filter it was a good choice, although it was a bit small for the amount of heather I used.  For all of the floral teas I used filtered water right off the boil, with a steep time of about 5 minutes.  Boiling did not seem to extract more desirable compounds than steeping, but that may not hold true if you are using other botanicals (flowers tend to have more delicate aromatics than barks or roots).

Hibiscus tea, the color of the finished beer wasn't that dark (but it is still eye-catching.)After smelling all of the teas I decided to pair heather with lavender for half of the batch.  Heather has a nice hay/meadow aroma and was used in many Scottish beers before hops displaced it.  The place I ordered from sells just the flowers (as opposed to the type sold at homebrew store that still has the stems attached).  It still took two ounces of heather steeped with enough water to extract 2.5 cups of tea.  Lavender is more potent (think potpourri or soap).  I had read that culinary lavender tends to have a more food friendly aroma, but I could only find English lavender (although that is one of the flowers Southampton uses in their excellent Cuvee des Fleurs).  I used just one tablespoon in half a cup of water, and then I only added two tablespoons of the resulting tea.

Jasmine tea, without the tea.For the second half of the batch I wanted to do something a bit more unique. I decided to combine hibiscus and jasmine flowers. Hibiscus is a traditional flavoring in Mexican sweetened waters (agua de Jamaica) and can often be found in a local market.  It has a great fruity, tart, cranberry flavor and imparts a beautiful garnet color (Brasserie Dieu Du Ciel uses it to great effect in Rosée D'hibiscus).  Jasmine has a very delicate floral aroma that is most often used in teas (Avatar IPA from Elysian Brewing Company uses it as well).  I used one ounce of each of these flowers, steeped separately with enough water to get 1.5 cups of extract.

After testing measured amounts of each of the teas on samples of beer I scaled up the ratios.  At that point I only added about 2/3 of the projected amount, giving me room to taste and adjust the blend.  In the end I left the flavors of both blends a little short of the where I wanted, counting on the carbonation in the finished beer to boost the aromas.  If I had been more ambitious I could have used my carb cap to carbonate samples before bottling.  I think this was a great way to take some control using ingredients that were new to me (and that don't have a commonly used amount).  Later this week I'll post reviews for both halves of this batch.

Monday, February 21, 2011

Tart Heather Gruit Recipe

Gruit on the right, cherry-sour-porter on the left.I've always had a luke-warm opinion of gruits (in the general sense gruits are beers that are bittered with herbs other than hops).  In particular the bottle of 13th Centurary Grut Bier I tried came off as a muddled mess of spices and herbs.  I did enjoy an aged-out bottle of Two Druids Gruit a couple years after Heavyweight Brewing folded; more recently I've had a couple interesting samples from Thornbridge Brewery (Merrie), and Williams Brothers (Grozet) both on cask, but none of those was something I wanted more than a few ounces of.

While I was up in Boston for Night of the Funk in November I sampled a lot of weird/unique/intereting beers, but there were only a handful that I would call inspiring.  Cambridge Brewing's 2006 Heather Ale was one of those, it had a nice tartness (from time spent in a Chardonnay barrel with Lactobacillus) and a soft honey/hay aroma from the fresh heather tips (as well as lavender and sweet gale).  CBC does a couple of other gruits, but this is the only one I've tried with a sour character.

I have enough long aged sour beers already aging so I wanted to brew something for quicker consumption, to accomplish that I borrowed a few moves from my Berliner Weisse method.  I did a quick mash with Marris Otter and wheat malt, followed by brief a 15 minute boil (just enough to ensure the wort was sanitary).  I didn't add any herbs to the boil because I'm planning to split the batch, half with lavender and heather, and rest with other flowers (hibiscus, jasmine, and chrysanthemum).  I'll make teas with each of the flowers and then dose the beer(s) to taste, allowing me to fine tune the extraction time and flavor contribution for each one (more on that later). 

With the "plain" wort cooled I pitched a cup of yeast slurry harvested from the 90 Shilling Stout I brewed two weeks earlier along with some of the multi-strain Lacto culture I keep going.  A quarter ounce of boiled/drained oak went into the primary to impart a slightly rustic woodsy character.  Hopefully this beer will have lots of subtle complexity, something I can drink an entire bottle of without waiting years for the herbal flavors to mellow.

Experimental Tart Gruit

Recipe Specifics
---------------------
Batch Size (Gal): 4.75
Total Grain (Lbs): 8.00
Anticipated OG: 1.044
Anticipated SRM: 5.8
Anticipated IBU: 0.0
Brewhouse Efficiency: 70 %
Wort Boil Time: 15 Minutes

Grain
------
75.0% - 6.00 lbs. Maris Otter
25.0% - 2.00 lbs. Wheat Malt

Water Profile
-----------------
Profile: Washington DC

Mash Schedule
-------------------
Sacch I 30 min @ 155
Sacch II 10 min @ 162

Extras
-------
0.25 Oz Medium Toast French Oak Cubes

Yeast
-------
East Coast ECY07 Scottish Heavy
White Labs WLP677 Lactobacillus

Notes
-------
Brewed 1/29/11

Collected 5 gallons of wort

Pitched 1.5 cups of surry from Scottish Stout plus a cup of lacto starter. .25 oz of french oak boiled for 3 minutes, then drained and added as well to primary. Primary ~63 Fambient. Good fermentation after 12 hours.

3/5/11 Blended with teas made from flowers. 2.75 gallons bottled with 2.5 cups of strong heather tea (made with ~2 oz of heather flowers steeped for 6 minutes), a 1 tbls of lavender tea (made with 2 tbls of English lavander). 1 5/8 oz of cane sugar added for carbonation.

2 gallons bottled with 1.5 cups of hibiscus tea and 1.5 cups of jasmine tea, both with about 1 oz of flowers.  1 1/8 oz of cane sugar added for carbonation.  FG 1.011

3/30/11 The heather half of the batch turned out well.  Nice balance, good heather flavor, not too sweet.

3/31/11 The jasmine-hibiscus half is really quenching, light, and bright.  The flavors work well together, should be perfect for summertime.

Wednesday, January 6, 2010

Funky Flower First Tasting

A month or so back I was lucky enough to be at a tasting where my friend Dyan opened up a bottle of Hanssens Mead the Gueuze. It was a very nice beer, a combination of lambic sourness and honey sweetness, with some of the inherent complexities from both disparate elements. My Funky Flower attained a similar result, but with a very different strategy since I added honey a beer as it soured rather than a blending of finished mead and gueuze. 

Recently, I was happy to hear that the DC Homebrewers club is going to hold a homebrewing contest in a couple months to celebrate the annual early spring blooming of the cherry blossoms... with the stipulation that every entry has to use either flowers (other than hops) or honey in the formulation. It seems like this beer (with both honey and chamomile) will be a perfect candidate to enter into the competition. 

Appearance – Slightly hazy lemon-gold (honey colored?) with a thin, wispy white head. Some small streams of bubbles float lazily to the surface of the beer. A nice looking beer on first pour, but the poor head retention is a surprise given the large percentage of wheat and what looks like solid carbonation. 

Smell – The honey component is surprisingly potent, provinding a beautiful floral-waxy scent. Certainly some hints of citrus (not sure if it is from the bugs or the honey). There is also a slight hint of smokey-phenol, probably from the wild yeast. Nice aroma, glad there isn't too much funk to interfere with the delicate honey notes. 

Taste – Nice bright acidity, but it fades quickly giving way to some balancing sweetness (probably from they honey malt). The floral honey comes through in the finish, but not nearly as strong as it was in the aroma. There is some of that “young” sour wheaty/cheerio flavor that many of my beers develop during their first few months in the bottle, but in this case it is rather subdued. Not much from the chamomile, maybe just some juicy-fruit complexity, but I think that is alright. 

Mouthfeel – Medium, with moderate carbonation, both of which suit this beer well.  

Drinkability & Notes – A very pleasant beer, but it just doesn't have that special something to make it great (yet). At just about a year since brewday it is coming along nicely, but I think it needs more time to develop some more complexity. The lactic acid I added to this did it's job very nicely, although it does make me feel a bit dirty cheating like that. The portion aging on fresh cut white peaches is coming along nicely (huge fresh peach aroma), I'll probably bottle it in a couple weeks so it is ready for the summer.

Saturday, February 28, 2009

Honey Wheat Flower Sour

Orange Blossom Honey SourWith quite a few sours under my belt I thought it was time to do something really off the beaten path. My idea was to do a beer somewhere between Hanssens Mead the Gueuze, Russian River Temptation, and Southampton Cuvee des Fleurs. That is to say a pale American sour flavored with honey and flowers. Flowers and honey seem like natural companions as honey is nothing more than the concentrated nectar of thousands of flowers (I'm about to start a beekeeping class, so more on insectoid slaves to come).

I started with a base similar to my Flanders Pale, but lower gravity (to allow room for the gravity from the honey). I also included some honey malt to boost the sweet honey aroma of the finished beer, and 6 grams of chamomile for its floral juicy fruit aroma.

I fermented the beer with a slurry made from some 3rd generation 1056 (American Ale yeast) and the dregs from a bottle of New Belgium's (magnum opus) La Folie and my Temptation clone (but the dregs from your favorite unpasteurized sour beers or a pack of Wyeast's Roeselare Blend would work just as well). The dregs got a week in a starter to multiply before the 1056 was added to the mix.

After two weeks fermentation seemed to be about finished, so I added 1.5 lbs of local orange blossom honey to the primary fermenter. According to The Compleat Mead Maker orange blossom honey can be a combination of any citrus honey (it also says that it is a great candidate for mead). I had to give the beer a brief stir to get the honey to dissolve. I may add another .5 lbs of the honey in a couple months to give the bacteria and wild yeast a snack (feeding sour beers seems to help smooth the character faster than age alone).

Once the beer gets close to being ready to bottle I will add more flowers. At this point I am planning on splitting the batch to try a few different things including dried flowers like jasmine, marigold, lavender, and chrysanthemum (I'll leave some as is as well).

Funky Flowers


Recipe Specifics (All-Grain)
----------------
Batch Size (Gal): 5.25
Total Grain (Lbs): 11.00
Anticipated OG: 1.056
Anticipated SRM: 4.9
Anticipated IBU: 15.9
Brewhouse Efficiency: 65 %
Wort Boil Time: 80 min

Grain/Sugar
-------------
5.50 lbs. German Pilsener
3.00 lbs. Wheat Malt
1.50 lbs. Orange Blossom Honey
0.50 lbs. Crystal 10L
0.25 lbs. CaraPils
0.25 lbs. Honey Malt

Hops
-----
0.63 oz. Amarillo @ 50 min.

Extras
-------
6.00 gm Chamomile @ Flameout
More Flowers to come in secondary

Yeast
-----
WYeast 1056 American Ale/Chico

Water Profile
-------------
Profile: Washington DC

Mash Schedule
-------------
60 min @ 156

Notes
-----
2/01/09 Took the dregs from a bottle of La Folie and Temptation clone and added them to ~3 cups of starter wort. Saw some activity after a few days. 5 days later added a few cups of 1056 slurry from the wee heavy.

Brewed 2/07/09 with Brian and Alex.

Mash pH 5.3 with no adjustments. Collected 6.75 gallons of 1.036 wort.

Added four 100% chamomile tea bags at flame-out. Gravity at pitching ~1.044

2/21/09 Poured 1.5 lbs of orange blossom honey into the primary fermenter and gave it a gentle stir to distribute.

2/28/09 Racked to secondary, already down to 1.012.

3/21/09 Light tartness with some subtle honey/bready flavors. Certainly needs more time, but not unpleasant as it is.

Added 2 oz of 88% lactic acid to the beer to up the acidity.

8/10/09 Update: Racked 3 gallons to tertiary and added 5 of Hungarian House Toast oak cubes. The other 2 gallons were racked onto ~5 lbs of white peaches (sliced and then mashed up a bit with my auto-siphon) from the farmers market. Good fermentation after 12 hours.

10/27/09 Bottled with .4 cups of table sugar. Honey flavor is coming along. No fresh yeast, but it is young enough that it should not have a problem carbonating.

1/06/10 First tasting, of the non-peach half and it is doing well, but could use some more age.

1/07/10 Racked the peach portion off the peaches to let it clear up a bit before bottling.

4/24/10 Bottled peach half with 2 oz of cane sugar.  Aiming for medium-high carbonation.

7/8/10 First tasting of the peach half, nice big peach flavor, honey comes through slightly.

6/15/11 Tasting comparing this to the other peach beer I brewed, the white peaches still stand up well.