Tuesday, May 13, 2014

Honey Sour Beer - Experiment

If a beer recipe calls for "honey" without specifying a varietal, it might as well call for "malt" and "hops" with similar imprecision. The plants where colonies' bees collect nectar determines both the aromatic and sugar profiles of the honey they produce. In general the paler varieties (e.g., clover and alfalfa) have mild flavors, fruit blossom honeys (e.g., raspberry and orange blossom – which despite its name can come from any citrus) tend to possess more assertive aromatics reminiscent of the plant’s fruit, and darker honey (specifically buckwheat) is pungently reminiscent of old malt extract. Wildflower honey varies by location and season, so taste it to decide what type of beer it suits best.

While mead is the truest (and sometimes overwhelming) expression of fermented honey, beer and honey had a relationship millennia before bland honey wheat beers were invented. While honey is not a common addition to sour beers, there are a handful of terrific examples: Bullfrog Beekeeper, McKenzie Brew House's Irma Extra, Cambridge Brewing Honey Badger, and Hill Farmstead Ann. My orange-blossom honey infused Flower Sour was delicious, which makes me wonder why I waited five years to brew something similar again!

Do a favor for the 12 bees who worked their entire lives to produce each teaspoon of honey, add it as late in the brewing process as possible. Heat from the boil and the carbon dioxide from fermentation will scrub out the aromatics that make honey so much more interesting than high-fructose corn syrup. Honey demands greater care than other sugars because its floral notes are so volatile. At a minimum I wait until after primary fermentation. If saved until the beer has already been souring for several months, the honey will feed the dominant bacteria and Brettanomyces. Luckily, unlike fruit or hops, honey aroma does not fade quickly with age. Priming with honey traps the aromatics in the bottle, but the variable sugar content makes it a gamble.

For this batch I decided to go back to my "split-batch" experimental ways. I purchased small quantities of five interesting varietal honeys. Each one is solely flavored by the nectar collected by the bees (not by fruit or extracts added to a neutral honey): Indian Acacia (winey/hay), Raspberry (Lucky Charms), Blueberry (berry/malty), Gallberry (herbal/spicy), and Sourwood (waxy/floral - classic honey). After primary fermentation was complete I added eight ounces by weight of each honey to five 1 gallon jugs and evenly distributes the beer between them. It will be interesting to see how much my tasting notes of the finished beers recalls those for the unfermented honeys.

As much as I enjoy drawing inspiration from commercially brewed beers, and more recently working on commercial recipes, I'm trying to take advantageous of the things I can do as a homebrewer that are difficult or impossible on a larger scale. In this case that means using ingredients that either don't exist in large enough quantity or simply cost too much to make them economically feasible in commercial batches.

Honey Variety Pack Sour

Recipe Specifics
----------------
Batch Size (Gal): 5.50
Total Grain (Lbs): 10.13
Anticipated OG: 1.055
Anticipated SRM: 3.8
Anticipated IBU: 15.5
Brewhouse Efficiency: 71 %
Wort Boil Time: 90 Minutes

Grain/Sugar
--------------
59.3% - 6.00 lbs. German Vienna Malt
9.9% - 1.00 lbs. Flaked Soft White Wheat
4.9% - 0.50 lbs. Flaked Barley
1.2% - 0.13 lbs. Acidulated Malt
24.7% - 2.50 lbs. Honey (Secondary)

Hops
------
0.50 oz. Mosaic (Pellet, 10.00% AA) @ 45 min.

Extras
--------
0.50 tsp Yeast Nutrient @ 15 min.
0.50 Whirlfloc @ 15 min.

Yeast
-----
The Yeast Bay Vermont Ale
East Coast Yeast ECY02 Flemish Ale

Water Profile
----------------
Profile: Pale, Low Hop

Mash Schedule
-----------------
Sacch Rest - 45 min @ 156F

Notes
-------
Brewed 3/17/14

8 gallons Whole Foods Spring water. 2 g CaCl added to both mash and sparge.

Batch sparge, collected 7.25 gallons at 1.029.

Boiled down to ~5.5 gallons racked 5 gallons clear-ish to 6 gal BetterBottle. Chilled to 70 F. Pitched a half cup of Yeast Bay Vermont Ale harvested from Fortunate Islands #4, plus a 6 month old vial of ECY Flemish.

Shook to aerate, left at 65F to ferment.

4/13/14 Racked to five 1 gallon jugs with  with 1/2 lb each Heavenly Organic Acacia, Fruitwood Orchards Raspberry, Fruitwood Orchards Blueberry, Winter Park Gallberry, and Winter Park Sourwood honey. Added a 1/2 cup of warm water to each to help the honey dissolve.

10/1/15 Bottled all five versions with 1 oz of the same honey they were brewed with. No extra yeast, we'll see if I regret that. 

4/4/16 Tasting notes for all five. Gallberry was the most interesting, sourwood was the most honey-forward, and blueberry would shine in a darker beer,

Thursday, May 8, 2014

Kvass - Liquid Sourdough Beer

Adapted and expanded for American Sour Beers from Kvass Revival - BYO December 2010 written with Nathan Zeender. Originally it was its own chapter, then a part of Adding Spices and Herbs, and finally removed.

Kvass - Liquid Sourdough

In the summer of 2010, Scott Smith invited my friend Nathan Zeender (now head brewer at Right Proper Brewing Company) and me to join him at East End Brewing Co. to brew a batch of kvass. Smith was a longtime homebrewer before opening East End Brewing in 2004 and that spirit still pervades his operation. In addition to year-round beers, he is constantly brewing innovative and experimental beers with abandon, a sense of humor, and not a trace of pretension (which is a perfect match for Pittsburgh). The recipe for the batch we brewed, dubbed Wood St. Kvass, included 60 loaves of stale rye bread, supplemented with a mash of Pilsner malt, brown malt for toasty bread crust flavor, and rye malt to boost the flavor from the bread.

Kvass, from the Russian word meaning to leaven, is a millennium old, low alcohol (generally between .5% and 2.5% ABV) folk beer brewed from stale bread. Whether you bake your own bread or buy it from a bakery, it should not contain added oil or fat, as lipids can disrupt the head retention of the finished beer. Whole grain rye and wheat do add small amounts of oil, but not enough to disrupt head stability or mouthfeel. Avoid bread that tastes especially salty, while a slight salinity can enhance the malt flavor you never want a briny beer.

Our work started the night before brew day, driving to Wood Street Bread Co. to pick up the five dozens loaves of stale rye bread. That night we sliced the bread into large chunks and mixed it with roughly 1 gallon (3.8 l) of 190°F (88°C) water per loaf in a large modified hop-back. Stale bread is not necessary, but it is certainly a way to use food that would otherwise go to waste. After stirring to ensure all of the bread was saturated, it was left undisturbed overnight to give time for the bread to hydrate. An insulated cooler is useful for mimicking this process at home. It is not a major issue if the water cools off overnight because the high initial temperature will kill any lactic acid bacteria present.

The next morning we returned to the brewery for mash-in. After the starches in the mash were converted, we turned our attention back to the bread, which had absorbed the water and disintegrated into a thick doughy mass. We took turns using the mash paddle to encourage the liquefied bread to pass through the metal grate at the bottom of the hop-back where it could be pumped into the boil kettle. Starch is something brewers usually try to avoid getting into their boil, unless they are performing a turbid mash; it was hard not to laugh as we watched as chunks of bread goo shoot through the sight glass. Smith pumped the runnings from the mash into the kettle, mixing with the bread to create a milky-opaque wort.

Kvass wort attempting to leave the kettle.At home it is much easier to transfer the liquefied bread into the kettle, simply pour it in. If the bread does not breakdown on its own, a mash paddle or immersion blender will finish the job. Getting the bread into the boil kettle is not the end of the challenges. The bits of bread tend to settle as the wort comes to a boil and can scorch if stirring is neglected for even a few minutes. The starch from the bread also makes boil-overs an ever-present danger, from the time the wort comes to a boil until flame-out. Standing next to the kettle was a hose, Smith frequently sprayed back the rising foam.

If the bread was not enough of a clue that we were brewing out of the ordinary, the hop schedule was another hint – 7 ounces (200 g) of low alpha-acid Styrian Goldings in 11 barrels (12.9 hL) – enough for a single IBU in the 341 gallons (1,291 l) of wort. Along with this meager hop addition, we added 1 pound (.45 kg) of caraway seeds, pulverized in a coffee grinder. Caraway is the dominant flavor in so many rye breads that its warm flavor is inextricable from the flavor of the grain in many people’s minds. As with adding any spice to beer, it is a balancing act to get a recognizable flavor to come through without trampling the drinkability of the base beer. After a short 30 minute boil, followed by whirlpool and heat exchange, the wort was ready for fermentation.

Bread yeast is the same species as ale yeast (Saccharomyces cerevisiae) and was historically procured from the town brewery in the days before active dried bread yeast became available at the supermarket. The yeast strains marketed for bread making have been selected for their ability to start fermenting quickly. When pitched into wort, active fermentation occurs as rapidly with a small amount of bread yeast as it would with a standard pitch of ale yeast. Bread yeast, however, is not selected for its flocculation properties, so do not expect to have a crystal clear beer soon after fermentation is complete.

At East End, the majority of wort was transferred into a cylindro-conical tank for fermentation. A modest 2 tablespoons (30 mL) of Red Star active bread yeast was rehydrated in warm water and pitched for the entire batch – about the same number of ale yeast cells suggested for 5 gallons (18.9 l) of barleywine. Despite this minimal pitching rate, Smith typically sees active fermentation begin fewer than 24 hours after pitching.

Dried bread yeast is not produced under the same tightly controlled conditions as dried ale or lager yeast, and as a result often has resident populations of both Lactobacillus and wild yeasts. The additional microflora are not a concern when quickly rising a loaf of bread, but pitched into wort the odds that sour or funky flavors will develop after weeks or months of storage are high. If you want to discourage the formation of lactic acid, aim for at least 10 IBUs and drink the kvass young.

Smith had discovered when he aged a previous batch of kvass the brew took on a complementary lactic sourness. To replicate that character he pumped the remaining 140 gallons (530 l) of the thick wort into two long-used oak barrels located in the brewery’s attic. A warm primary fermentation in porous oak encouraged a mixed fermentation with wild yeast and acid-producing bacteria. One of the barrels eventually tasted off, but last I heard the other barrel was still aging.

With all the valuable knowledge gleaned from our time at East End, along with historical inspiration, Zeender and I returned home with ideas of what kvass could be in our hands.

For our first kvass we scaled the recipe directly from East End's brew sheet and included a loaf of home-baked rye bread. Active fermentation was swift and completed in a few days at a warm enough temperature to encourage lactic acid production, 75°F (24°C). The result was a spritzy, lactic, and thirst quenching beer with a hint of caraway. This combination is reminiscent of a traditional way of enjoying Berliner weisse, with a shot of kümmel (caraway liqueur).

For our second iteration we took inspiration from the folk beers of Scandinavia to create a winter kvass that included smoked malt, fresh spruce clippings, and dried elderberries. Whereas the East End’s kvass is an ideal summer beer, we sought to brew a kvass for the cooler months with referenced images of evergreens and the hearth, more brooding, unhopped, and slightly stronger. As a baseline for this more robust brew we added a loaf of homemade dark pumpernickel bread, and again fermented warm with bread yeast.

We decided on a clean version for our third variation, a hybrid brown porter-kvass. English porters historically got their bread crust character from brown malt. By adding a loaf of pumpernickel bread as well we aimed to enhance this character. We also increased the hopping rate and fermented with ale yeast to prevent souring. I infused half of the batch with a caraway tea at bottling to boost the bready impression.

These three beers are only the beginning of the flavors you can play with in kvass. Let it be an arena of the imagination – think black bread, honey, juniper berries, ferment with a sourdough starter, etc.

Beaver Brewing Kvass

While East End’s beer and our variations were inspired by kvass, they are considerably stronger than any of the traditional versions. Despite being located in the same state as East End, Dan Woodske, who runs the Beaver Falls nano-brewery Beaver Brewing Company and wrote Kvass: History, Health Benefits, & Recipes for the Russian Bread Drink (Volume 1), had not tasted Smith’s kvass before deciding to brew his own. Woodske’s version is more reverent of traditional homebrewed versions, complete with an ever changing recipe.

Beaver Brewing Kvass, and a few of the ingredients.Even though Woodske brews on a 1.5 bbl (1.75 hL) brewing system, he brews his kvass in 15.5 gallon (59 l) batches. Rather than spicing with caraway, he flavors his version with lemon juice and raisins. For each batch he adds four or five loaves of bread, which he slices and then stales for several days, to the boil. Woodske adds the legal minimum amount of barley malt for the brew to be beer under American law. Along with the pale malt he usually adds either wheat or rye malt. Four or fewer IBUs from Hersbrucker, or another low alpha acid variety, are added to the boil.

The juice, about one lemon per gallon (3.8 l), and whole raisins are added to the fermentors along with a small pitch of dried bread yeast. Woodske has tried spontaneous fermentation before, and noted that adding yeast shortens the fermentation considerably. The beer is open fermented in homebrew-sized plastic buckets left near a window to keep them warm. Developing light-struck (skunked) flavors is not a major concern because of the low hopping level.

Woodske’s monthly batches are intentionally variable, including different types of bread (e.g., rye, pumpernickel, and sourdough), and gaining a variable amount of sourness from the open fermentation. He also alters the lemon character by sometimes adding the juiced halves for the last few minutes of the boil, but no more than five minutes because he has found that longer times impart a pithy bitterness.

Beaver Brewing Kvass is only available on draft or in growlers at the brewery because Woodske feels such a low alcohol beer (typically 1.5-2% ABV) requires a level of explanation that a bar would not provide. His proudest moment for the beer was serving it to a man who had lived in Soviet Russia. This man had stopped drinking kvass in the 1990s when the only ones he could find were the overly sweet versions made by soda companies, like Coca-Cola, who have dominated the market since the fall of communism. Beaver Brewing’s version had the taste he remembered.

Conclusion

Just like anything in brewing sour beers, there are many ways that brewers have discovered to get a job done. Even if brewing traditional kvass does not appeal to you, consider a bread yeast fermentation as a good way to produce a low gravity sour ale or adding bread to the boil as an alternative method to introduce starch without a turbid mash (or to an extract beer). When it is baked, bread develops many of the same melanoidins that malt does when toasted, providing more flavor than adding refined flour or starch directly to the boil. These are just some of the tools you can use to brew something inspired by the kvass tradition, or create a beverage of your own design.

Wednesday, April 30, 2014

American-Ingredient Pilsner Recipe

Homebrewers often talk as if brewing a lager is a completely different process than an ale. In fact, neither requires decocting, filtering, krausening, spunding, or really anything else the other does not. Producing a great lager demands extra attention to a few key areas (e.g., temperature control and yeast pitching rates) to produce the cleanest yeast profile possible, but many ale yeasts have their own quirks too. Making accommodations for a demanding yeast strain is easier if you have specialized equipment, but if you have a temperature controlled fermentation chamber, you’re most of the way there. A larger vessel for starters, and a more effective wort chiller are optional, but helpful.

Two packets of Saflager W-34/70 rehydrating.There are some brewers for whom any added effort isn’t worth the loss of ale yeast’s aromatic esters and/or phenol. More flavors doesn’t always result in more complexity though. Lager yeasts stay out of the way, allowing a fuller expression of both malts and hops. When you brew a lager lacking substantial “wort” character, you’ll end up with a quenching if bland result. However, many wonderful lagers are brewed with assertive malt and hop bills. For example, the recent wave of IPL (India Pale Lagers) from The Bruery, Jack’s Abby and other craft brewers often beat many American IPAs at their own hoppy game.

This recipe is my second batch inspired by Moonlight Brewing's Reality Czeck (I never posted the first). It's a bright Pilsner, grainy, and assertively hopped with US grown Perle. Achieving a really saturated hop aroma with classic “landrace” varieties like Czech Saaz or German Hallertau can be difficult because of their low essential oil content compared to modern varieties. Perle isn't exactly an “exciting” hop, but it's a refreshing spicy/herbal break from the usually citrusy/fruity varietals that are so popular now. I was using American hops, so I decided to stick with the theme and used American malted Pilsner malt as the base.

If your ground water isn’t colder than your target pitching temperature, you have a couple options. Sometimes I attach my immersion chiller to a submersible pump to recirculate ice water to chill the wort the last bit. An easier option is to get the wort as cold as I can and then just stick it in the fermentation chamber and pitch a few hours later. Either way the fermentation character will be much cleaner than pitching the yeast while the wort is still warm and then lowering the temperature.

This batch also served as an excuse to deploy my HopRocket (hop-back) on a batch that won't be dry hopped (with my setup/recipes dry hops tend to overwhelm the aroma gained from a hop-back). I find dry hopping with European (and related) varieties imparts grassy flavors, so hopefully the hop-back is a good alternative. The HopRocket has the side-benefit of filtering hot break, which results in clearer wort and higher yields.

Gelatin bloomed in cool water.After two weeks in the primary fermentor, tasting to ensure there was no diacetyl, I transferred the beer to a purged keg and allowed it to settle for a day at 35 F before fining with gelatin. It is important to have the beer cold before adding the gelatin to gain the maximum clarity boost. I'm not normally a clarity snob, but yeast itself can lend a flavor to a beer as delicate and crisp as a Pilsner. I used a similar process to good effect in the Urquell-inspired Czech Pils I brewed a couple years ago.

Looking forward to drinking this real American Pilsner on the porch this summer!

Reality Czeck Inspired#2

Adding boiling water to the bloomed gelatin instantly turns the solution transparent.
Recipe Specifics
-------------------
Batch Size (Gal): 5.50
Total Grain (Lbs): 10.25
Anticipated OG: 1.046
Anticipated SRM: 2.9
Anticipated IBU: 44.4
Brewhouse Efficiency: 67 %
Wort Boil Time: 75 Minutes

Grain
-------
92.7% - 9.50 lbs. Briess Pilsener
4.9% - 0.50 lbs. Briess CaraPils
1.2% - 0.13 lbs. Weyermann Acidulated
1.2% - 0.13 lbs. Weyermann Melanoidin

Hops
-------
1.00 oz. Perle (Whole, 8.25% AA) @ 45 min.
1.00 oz. Perle (Whole, 8.25% AA) @ 15 min.
2.00 oz. Perle (Whole, 8.25% AA) @ 0 min.
2.50 oz. Perle (Whole, 8.25% AA) @ Hop-Back

Extras
--------
0.50 Whirlfloc @ 10 min.
0.50 tsp Yeast Nutrient @ 10 min.

Yeast
------
SafLager W-34/70 

Water Profile
----------------
Profile: Pilsen

Mash Schedule
-----------------
Sacch Rest - 60 min 153F

Notes
-------
Brewed 4/12/14 with the final Modern Times Kickstarter group

Half distilled and half spring water. 2 g CaCl and gypsum added to the mash and sparge water (plus 1 tsp of phosphoric acid to the sparge).

Mash pH 5.3 at room temperature.

Collected 6.5 gallons of 1.040 runnings from a batch sparge.

Added .5 gallons of spring water as volume was a bit lower than anticipated.

Put wort into fridge set to 45F to chill the rest of the way. 6 hours later rehydrated 2 packs of Saflager W-34/70 in 85 F water for 30 minutes. 75 seconds of pure O2 in the wort then pitched. Set fridge to 52F.

Up to 54F after 24 hours without activity. Finally activity around 44 hours, dropped temperature to 50F to absorb the added heat of fermentation.

Up to 55F 4 days after the first signs of activity

4/21/14 Up to 60F

4/23/14 Up to 65F for diacetyl rest.

4/27/14 Kegged, already pretty bright. Left at 35F, not hooked up to gas. 1.012 (74% AA).

4/28/14 Poured off the first pint to remove any settled yeast. Added 1/2 packet of Knox gelatin to 1/3 cup of filtered tap water. Added 2/3 cup of boiling water 10 minutes later. Mixed into the cold beer. Topped off with CO2 a few times and shook it in. Returned to the fridge to lager at 35F.

6/18/14 Tasting notes posted! It is clear-ish, but I think the beer may not have gotten down to 35F before adding the gelatin. Head is terrific. The herbal hop aroma is solid, but I don't taste a big contribution from the hop back compared to adding a similar total amount of hops (4.5 oz) at flame-out.

Monday, April 21, 2014

Adding Spices and Herbs to Sour Beers

Originally (most of) American Sour Beers Chapter 11 - Adding Spices and Herbs

------

Hops are included in pretty much every beer recipe these days, but just like pure cultures of brewer's yeast, their dominance is a relatively recent phenomenon. Five hundred years ago, the addition of hops was considered controversial because gruit, secret blends of herbs and spices controlled by church and king, served as both seasoning and taxation for European brewers. Since then, hops have become the near universal herbal counterpoint to malt’s sweetness, but brewers avoid imparting significant hop character to sour beers because of their clashing bitterness (aside from a few dry-hopped examples). Despite the minimal hop flavor contribution nearly all sour beer recipes include hops, either aged (which degrades their bitterness) or in low quantities.

Many of the best sour beers have complex herbal, spice, or floral notes that result from the magical interaction of microbes, oak, and oxygen, that occurs during extended aging. To produce a specific flavor, you are at the mercy of chance, unless you add herbs (flavorful leaves), spices (other part of a plant, usually bark or seed), or flowers that impart the desired flavor. While a few brewers are trying to revive the gruit tradition, most add a combination of botanicals and hops. Examples of the most common brewing herbs and spices are: orange peel, grains of paradise, heather, coriander, cinnamon, and nutmeg, but there are scores of others available from specialty spice retailers, and herbalists. Many botanicals do not impart bitterness so their flavors are more harmonious with sourness.

Well executed spicing of a sour beer demands subtlety. Try to stay around the flavor threshold, leave some mystery. Let people argue over whether the beer is spiced and about what was added. Getting the balance right often demands the art of blending.

Ideas for Spiced and Herbal Beers

Spices can enhance a character that already exists in a batch while other spices can return balance to a beer. Earthy spices, like black cardamom and white pepper, temper a beer that is overly bright. To test if the addition improves the beer, either make a tea with the spice or sprinkle a pinch of the ground spice into a sample of the beer, swirl, and smell. Beers often lose brightness as they age, so time is also a good option if you are looking to mellow a certain aromatic.

There are a few spices that have the ability to conceal less desirable flavors. Vanilla is the archetypal addition to obscure unpleasant or rough flavors. It is a good option for a beer that has an objectionable funky character that refuses to go away. Consider combining spicing with a fruit addition. According to  Jean Guinard in Lambic (Classic Beer Style), at one time Brasserie Cantillon added a touch of vanilla to Rosé de Gambrinus, their raspberry lambic. At the right level this would enhance the oak derived vanillin, without disrupting the delicate balance of fruit and funk. This is the sort of subtle spicing that enhances sour beers.

Avoid pre-mixed spice blends, and instead create your own. The more control you retain, the better your ability to adjust future batches. De Struise Brouwers employs a custom spice blend in several beers, including their sour brown Aardmonnik/Earthmonk, to produce a house flavor in the same way that other brewers have a signature house yeast strain. In their case the blend is cinnamon, coriander, orange peel, and thyme.

If you like the flavors of your beer, but think they need a boost, there is no better flavor enhancer than ordinary sodium chloride (table salt). Salt reduces the perceived bitterness, making it a valuable addition for an over-hopped sour beer, and makes beers taste fuller and richer. I prefer non-iodized varieties, such as those sold as kosher, pickling, and unrefined sea salt. Measure by weight because the salt crystal size has a huge impact on the density. Salt is a traditional addition in the production of the tart gose of Leipzig, Germany. I use.1-.2 oz/gal (.75-1.5 g/L) of salt is the right range to be able to sense the sodium, but not so much that the beer tastes briny.

Cold-side additions are much easier to incorporate if you dissolve the salt in boiling water first. Salts impregnated with other flavors are an interesting option; The Bruery adds truffle salt to their gose, Salt of the Earth, to contribute a delicate loamy flavor. The drawback of adding flavored salts is that they do not allow you to control the salinity and flavor intensity independently. You want to avoid situations where you are forced to compromise by adding more salt than desired.

Patrick Rue, the founder of The Bruery, often takes influences from the food world for his beers. In addition to Salt of the Earth, he includes Thai basil in Trade Winds Tripel, and ginger’s cousin galangal in a 100% Brettanomyces black beer, Gunga Galunga. Even if these particular ideas do not appeal to you it is worth looking to the culinary world for inspiration. The Flavor Bible: The Essential Guide to Culinary Creativity, Based on the Wisdom of America's Most Imaginative Chefs (Little, Brown and Company, 2008) is an especially good resource; for each of the hundreds of ingredients, the book lists dozens of suggested flavor combinations identified by a group of respected chefs. To take advantage of it, taste a beer and search for the flavors you detect (e.g., lemons, vinegar, red wine, cherries etc.) and see if any of the suggested combinations spark your imagination.

For a floral addition, flowers like lavender, elderflowers, chamomile, hibiscus, and heather can be added. Flowers are especially well suited for giving a freshness to a beer that tastes old or stodgy. It is possible to add flowers either alone or in combination, but smell them first because there are certain ones, lavender especially, that remind many people of soap. Cantillon’s Zwanze 2009 (since released as Mamouche) is two-year-old lambic flavored with freshly handpicked elderflowers—the floral character was potent, reminiscent of fresh green jalapeño peppers. I did not achieve the same flavor from using commercially dried elderflowers. However, the flavors that are extracted by alcohol in a low pH environment are sometimes surprising, so testing extractions in a bottle of beer before committing to an entire batch is advisable.

There are several botanical additions that work well in clean beers that are much more challenging in sour beer. For example the bold coffee and chocolate additions that work so well in big sweet stouts do not succeed when combined with a dry and sour base. Success depends on subtlety and subterfuge, as Jolly Pumpkin Artisinal Ales achieves with cacao, cinnamon, and sweet orange peel in Maracaibo Especial.

Consider flavoring a beer to make it evocative of a certain time and place. For example adding smoked malt, spruce, and elderberry evokes a Scandinavian winter, while roasted squash, cinnamon, and nutmeg recall Thanksgiving at grandma’s house. Remember to consider the base beer in tandem with your concept; a bright pale sour is not a good choice for the base of a Christmas beer (unless you go with something like citrus and spruce tips). But adding .2 oz/gal (1.5 g/L) of dried elderflowers to a pale sour ale for two weeks prior to bottling added the aroma of a summer meadow. Select the proper grist and techniques to create a base beer that marries rather than clashes with the added flavors.

Spicing Saison

In some brewers’ minds spicing is synonymous with saison, but this is not the case. For the most part the spicy flavors you taste are produced by the fermentation. When actual spices are included in a recipe, they should be subtle and build character without trampling on the flavors of the yeast. Spices that complement the peppery yeast character especially well are peppercorns (black, white, or pink), grains of paradise, and long pepper (commonly used in Indian cuisine). Gabe Fletcher of Anchorage Brewing Company adds black pepper (along with coriander and lemon peel) to his Brettanomyces finished Chardonnay-barrel-aged Whiteout Wit. Ginger can add a bit of heat, but be careful when adding dried ginger because it can easily overpower the yeast character.

Spices for St. Somewhere's Saison Athene.Bob Sylvester, the founder of St. Somewhere Brewing Company, says “I like to use mostly local, indigenous ingredients. Cane sugar, saw palmetto, hibiscus, wild local yeast from open fermentation, locally grown rosemary, lemon leaves, elder flowers and so on.” Rather than copy what another brewery is doing, find local ingredients to incorporate into your recipe. Brewing seasonally allows you to incorporate summer flowers such as chamomile, honeysuckle, jasmine, chrysanthemum, lavender, marigolds, and dandelions that can add delicate flavors.

A low finishing gravity can cause spices to taste harsh. Brian Strumke, founder of Stillwater Artisanal Ales, had this to say “Spicing has loads of variables, not all spices or herbs, flowers, etc. are equal. They are unique ingredients and you must know what you are working with in order to get them to do what you want. I have done both hot and cold infusions on various herbs and spices, it comes down to what and when.” Always experiment with hot and cold extraction teas to gauge the intensity of a new ingredient before adding it to the beer. Alternatively added to taste at packaging, a tea provides control to determine the flavor contribution that works best for the beer.

Quality

As important as which botanicals you select, is where you source them. To get the highest quality dried herbs and spices, buy them as whole as possible from a specialty spice supplier. Whole spices retain their flavor longer than ground or powdered versions because of their lower surface area, which slows the loss of volatile compounds. Ethnic markets are full of inexpensive and interesting botanicals (as well as sugars, fruits, and other exotic ingredients). Tea shops are another source; herbal and flavored teas have intense flavors and are designed for extraction in water. The subtle flavors of black/oolong/green/white teas can work as well, for example the Lost Abbey Veritas 008 and Vanberg & DeWulf Lambrucha.

Try to support stores that allow you to smell the product before you buy it; this is mandatory if you are buying pre-ground spices whose aromatics will mute within weeks of grinding. Specialist online retailers have huge selections, and are invaluable if you are looking for obscure ingredients that you cannot find locally. The disadvantage of shopping online is that you cannot inspect before buying.

Unlike hop suppliers, who list the alpha acid content to convey the pungency of the hop’s bitterness, spices and herbs come with no such potency rating. To determine their strength you will have to do a sensory evaluation by smelling them, or steeping in hot water and tasting. This is especially important when adding the botanicals to the boil; if you are unsure, err on the low side, as you can always make another addition later in the process.

Many spices benefit tremendously from toasting before grinding. The heat alters the aromatics, often making them more potent and complex. You can research how your chosen spice is usually treated in cooking, but there is no harm in toasting the spice in a dry pan to smell for yourself how the aroma changes. Again taste tests are crucial, what works for a spice in a barbecue dry rub may not work for a sour beer.

Timing Additions

There are numerous opportunities to add spices and herbs, although unlike clean beers you must take into account the long aging period sour beers require before consumption. Age tends to mellow the character of aromatic ingredients, but there are those that are surprisingly long lived (especially the more pungent spices like black cardamom and clove). In addition, certain strains of Brettanomyces can ferment the glycosides (an aromatic aglycone bound to a sugar molecule) contributed by spices like coriander and herbs including hops, changing or enhancing their flavors.

Your first opportunities for these additions come on the hot side of the process, with additions during the last five minutes of the boil being the most common. Boiling spices or herbs, even for a few minutes, tends to mute their aromatic character, but also better integrate their flavor into the beer. Late-boil additions are an ideal time to impart subtle aromatic complexity. The earlier in the boil most spices are added, the less of their flavor will remain after fermentation. However, longer boil times tend to increase the longevity of the flavors that do remain. The major disadvantage with this method is that you have to decide what and how much you will add before tasting the fermented beer. As a result, I do not use this method the first time I brew with an ingredient. Boil or whirlpool additions are a good technique when you have a recipe that you know works with later additions, which you want to be subtler.

The next opportunity to add botanicals is directly to the aging beer. The combination of alcohol and water in beer are able to extract a wider range of compounds than a hot side extraction in wort. It is best to let the beer age until it is ready for packaging before making an addition. Waiting to see where the character lands will give you an idea of how much of a given flavor you want to impart. To ease separating the ingredient from the beer, enclose them in a large mesh bag (packing ingredients tightly into a small bag prevents good contact with the beer). Fermentor additions have the advantage of allowing you to taste the beer as it infuses; when the right balance is reached, remove the botanicals or package the beer.

Adding botanicals directly to the beer requires minimal effort and equipment, and is effective. However, until you gain the experience to judge their quality and impact on the beer it is easy to over- or undershoot the desired character. This is especially true of working with herbs and spices that are not among the handful commonly added to beer.

Extractions

If you are not confident about the amount of herbal or spice personality you want in a beer, especially when using a new ingredient, the best method is to extract its flavor into another substrate. This flavorful extract should then be dosed into the beer to taste at packaging. This extraction can either be accomplished quickly by a hot water “tea” or slowly in alcohol to produce a tincture. With either method you want the extraction to be highly concentrated so that you do not have to add a large volume to attain the desired profile.

For a tea, soak the ground botanical in chlorine-free water that is barely off the boil; after five minutes, filter the tea through cheesecloth or a coffee filter to remove the solids. If this produces a harsh flavor, try a lower temperature, shorter steep, or coarser grind. The more finely ground the ingredients the faster the extraction, and thus the smaller window you will have before over-extraction. It is best to perform this process separately for each ingredient initially, to allow you to optimize the extraction and dosing for each.

One of my most successful uses of this method was a tea of hibiscus (also known as jamaica), providing a vibrant tart-cranberry flavor in addition to a bright red color paired with jasmine that offers a floral character sometimes added to teas. I added the teas directly to a pale unhopped base beer, fermented with a combination of the Scottish Heavy strain from East Coast Yeast and Lactobacillus, at the same time as the priming sugar.

Many aromatic molecules are soluble in alcohol, but not in water; you may want to try both tea and tincture to see which extraction produces the best results for a particular ingredient. To create a tincture, soak the ingredient in neutral vodka, or a more flavorful spirit if you want to add an additional dimension. After a few day or weeks, when the aromatics have been extracted, but before any harsh compounds have, filter the infused spirit to remove the remaining solids. Once you have your concentrated flavoring, add it to a measured sample of beer and taste. You may want to force carbonate the sample blend to gauge how much carbonation will heighten the aroma profile. When you determine the ideal ratio, scale it to the target volume of beer. Hold back 10% of the calculated volume of extract, taste the well-mixed beer, and add the remainder if needed. Remember that the character will gradually mellow with age, so you may wish to aim slightly more assertive than your desired level.

Extractions are a simple and controlled way to split a batch into several variations. Take a six-pack from a batch at bottling and add a different extraction to each one of the bottles before capping to learn what works with the finished beer. Experimentation is invaluable with hundreds of culinary plants available, each with its own unique character to contribute.

Final Thoughts

Even though hops do not usually have much direct impact on the flavor of sour beers, leaving them out entirely may allow excessive Lactobacillus activity. Added with hops rather than to replace them, spices and herbs can add depth, or conceal off-flavors. They can even impart substances that Brettanomyces can combine or break-apart to create new flavor compounds. As gruits age, certain aromatics will peak and fade, allowing for more dramatic changes than those seen in a beer flavored with only a single herb (hops).

Think about flavor combinations that work well in other beers and foods, focusing on finding complementary as opposed to contrasting flavors. Classic combinations can be adapted to brewing, but experiment to determine what does and does not work in your beer

Monday, April 14, 2014

Gruits and Other Hopless Beers

A section removed from American Sour Beers:

Commercial Gruits

This was originally a portion of Chapter 11, which covered adding spice/herb flavors to stock sour beers that already contain hops, but there are also beers that contain no hops at all. For centuries European brewers added a blend of bitter and aromatic herbs called gruit to balance the sweetness of the malt. Beers brewed with a similar blend of herbs and spices are now known as gruits. Most of the historic spiced beers would have quickly developed a sour character because they lacked both the anti-microbial power of hops and pure strain fermentations.

While the exact gruit formulations were kept secret, the combination of yarrow (bitter, sage-like), marsh rosemary (spice, sour-ish), and sweet gale (spicy-eucalyptus) is generally regarded as the standard base. This is the combination many brewers add to their first batch of gruit, and it can work well (although generally not in equal parts).

For more historical accuracy you can add a small amount of smoked malt as HaandBryggeriet and Brouwerij de Molen did on their collaborative Menno & Jens (a gruit that had a unique flavor that was smoky, tart, and herbal). It included 80% wheat and rye, and was spiced with a combination of yarrow, Myrica gale, and mugwort. The result was complex, with all of those wild flavors playing with each other differently on each sip.

Rather than trying to recreate the flavor of historic gruits, some brewers make the concept their own. For example, Upright Brewing added lemongrass, hyssop, bitter orange peel, and Sichuan peppercorns to their Reggae Junkie Gruit. The herbs and spices were selected on a trip to a spice store. The resulting beer had a potent, though not overpowering fruity-herbal aroma. The brewers soured a portion of the batch in a gin barrel to create Special Herbs, part of their Sole Composition series.

As with hoppy sour beer it is best to go easy on bittering herbs (e.g., wormwood, sweet gale, yarrow, marsh rosemary, and Labrador tea) and instead concentrate on later additions for a more aromatic character; this is similar to the standard hopping strategy, as sour and bitter do not mesh together well. The bitterness from small amounts of herbs tends to be quick, not lingering like hop bitterness, which makes herbal bitterness somewhat more compatible with acidity. However, while hops need a long boil to isomerize their alpha acids to create bitterness, many other herbs contribute bitterness without undergoing a long boil (especially wormwood and mugwort).

Cambridge Brewing Company (CBC) is one of the most innovative American breweries when it comes to gruits and related hopless beers. Brewmaster Will Meyers was initially inspired by European beers like Williams Brothers Fraoch Heather Ale and the dubbel-ish Jopen Bier’s Koyt, but felt that they were too restrained in their spicing. When developing recipes, his first step was to evaluate the classic herbs, starting with smelling and tasting samples of each. Meyers steeped 2 tablespoons (30 mL) of each in a cup (237 mL) of 180°F (82°C) of water, tasting each after one, thirty, and sixty minutes. This gave him an idea of how much time each herb required for optimal extraction. Meyers raised the option of brewing single-herb experimental batches, but also said that he had not learned much more from them than he did from the teas. His biggest discovery from these trials was that he did not care for the strange sour flavor of marsh rosemary (Ledum palustre); substituting Labrador tea gave a flavor that was less aggressive and preferable to his palate. When Meyers uses marsh rosemary it is in small quantities, and only for the sake of tradition.

Meyers and his brewers harvest 1 pound of wild heather per barrel (.4 kg/hl) in Westport, Massachusetts (overlooking Buzzard's Bay) for their Heather Ale. The beer also receives a few ounces of lavender and sweet gale. Aged in Chardonnay barrels with Lactobacillus, and served at The BeerAdvocate Extreme Beer Fest Night of the Barrels festival in 2007, it tasted brightly acidic and remarkably fresh for a five-year-old 4% ABV beer. In this case, the sourness balanced the malt because none of the herbal additions provided much bitterness.

CBC's Weekapaug Gruit is a clean fermented beer based on a mash of pale and dark caramel malts, along with wheat, oats, and rye. It is fermented with their house Belgian ale strain, which is allowed a free-temperature rise. Weekapaug has the right balance of herbal complexity, but on tap it lacked the sourness that I loved in the aged Heather Ale. Luckily, the first bottled batch was nicely tart (possibly from the marsh rosemary). For a recent 10 bbl (12 hL) batch, Meyers added a substantial addition of 1 pound (.45 kg) of heather, but the rest of the additions were between a half and 4 ounces (14-113 g). Remember that these amounts are for a commercial batch, so for a homebrew amount an accurate scale with .1 gram precision is necessary. Early boil additions included stinging nettles, Labrador tea, heather, and aged hops. Additions at the end of the boil included yarrow, licorice root, as well as more nettles and Labrador tea. Meyers planted many of the more obscure herbs in a bog near the cabin where he produces 100 cases a year of grape wine as Linus Creek Wines. For each batch of Weekapaug he makes subtle adjustments to the recipe depending on the aromatic intensity of the individual herbs.
  
Gruit is one of the most interesting and least explored areas of commercial brewing today. They take the spicing of beer back to the same time that sour brewing brings the fermentation. A word of warning however, in addition to the well-known risks posed by alcohol, some of the herbs (most notably mugwort) that are added to gruits are extremely dangerous for pregnant women to consume. Hygieia: A Woman’s Herbal by Jeannine Parvati and Stephen Harrod Buhner’s encyclopedic Sacred and Herbal Healing Beers have more detailed information on herbs that are of concern.

Fire Pit Gruit

Craft brewers are not the only ones to feel the lure of gruit. In the summer of 2011 I drove out of DC to the border between Virginia and West Virginia to brew a gruit over an open fire with two gruit-nerds, Marty Fair and Martin Gross. When they started brewing gruits a couple years earlier they bought most of their herbs in bulk from online specialty shops, but have since started either growing and foraging many of the key ingredients for themselves. The only one of the mainstay herbs that is problematic to acquire is marsh rosemary, which they buy for 10 USD a jar from a Canadian who forages it. Like Will Meyers, they too feel that Labrador tea is the best easily accessible alternative.

They brew 30 gallons (114 l) at a time, boiling in three converted kegs that sit on a metal rack above an open fire pit. Fair builds guitars for a living, and as a result has plenty of scrap hardwood to burn. While certainly closer to the way beer was brewed for millennia before the discovery of natural gas and propane, the open fire did not add a noticeable character to the finished beers. However, their method certainly gave the brewing process a more primal feeling. The bow-hunted venison that was roasted over the fire, and then served for dinner only enhanced the experience.

The most impressive thing about the gruits they shared (Classic, Sage, Burdock Root etc.) with me was that despite being young they did not have an overpowering herbal flavor (something that plagues several of the commercial examples, like Professor Fritz Briem 13th Century Grut Bier). Fair and Gross are still tinkering with the timing of their herb additions, sometimes adding all of the herbs near the start of the boil, and others saving the more aromatics herbs for an addition 10 minutes from the end of the boil. Their gruits develop a tart character from being allowed to cool loosely covered outside overnight before they pitch dried yeast.

Thursday, April 10, 2014

Pairing and Cooking with Sour Beers

My book (American Sour Beers) will finally be published two to three months from now! To tide you over until then I'll be posting trimmings and add-ons to the blog. In some cases these are non-essential sections that simply couldn't fit into what ended up being nearly 400 pages of material. In other cases they are sections deemed too in-flux to be valuable during what will hopefully be a lengthy publishing run! The material in these posts was cut at various points during the process, but none received the complete battery of review and editing that the book itself was subjected to.

This first post is a section I originally had in Chapter 12, "Packaging" (actually it was part of Chapter 16, "Enjoying" before reorganization combined the two). Most of that chapter now focuses on the processes of controlling carbonation and critical evaluation of the finished beer. My thoughts on drinking sour beer with food, and cooking with sour beer are below. Enjoy!

Sour Beer and Food

Sour beers are delicious on their own before or after a meal; the lighter ones tend to work better as aperitifs, with the darker-stronger ones saved for nightcaps. With that said, sour and funky beers do extremely well when paired with food. The typically dry flavor of beers fermented with Brett makes them food friendly, and their carbonation and acidity pair well with spicy or rich dishes that can cause problems for wine. Garrett Oliver's The Brewmaster's Table: Discovering the Pleasures of Real Beer with Real Food (Ecco, 2005) is the best reference on the intersection of cuisine and beer, but with a few suggestions you will be able to pick a beer for most situations.

Cheese makes a natural match with sour beer, which scrubs the fattiness of the cheese off the tongue. Stinky cheeses, which often overpower other beverages, often work beautifully with the funky character of Brettanomyces. Milder cheeses mesh more readily with softer beers, especially those with a citrus character. By adding nuts, compote, or other accompaniments you insert another dimension to play with. Fig jam, brie, and a dark sour beer is a harmonious combination (especially when the beer includes dark crystal malt or actual dried fruit).

With the wide range of fruit and spice flavors sour beers contain, it is easy to imagine potential food pairing. Sour fruit beers cut through rich braised meats, which often need to be enlivened. The melanoidins in dark sour beers mirror the melanoidins produced from searing meat, making them a reliable choice with a steak. If you want to impress a wine drinker give them a big tannic sour like Russian River Consecration to drink with their beef. Seafood finds easy matches amongst sour beers, whether it is a tart spiced wheat beer with a lemony white fish or a sour red with crustaceans. Pale sour beers like gueuze are a classic with Belgian mussels, because they are bright enough to cut through the cream or spices in the sauce, but not so aggressive that they obscure the briny bivalves.

When it comes to dessert, things get trickier. The only sour beers that I have found to work are bigger or sweeter, drier sour beers are not satisfying enough. Even overly-sweet fruit lambics can work with creamy or chocolaty desserts. Avoid anything too tannic, as I find that creamy desserts highlight their rough mouthfeel. A dry fruit beer can work with less rich desserts, even fresh berries; if you drizzle high quality balsamic vinegar over them it can bring the acetic beers into play.

Cooking

When you have packaged enough sour beer to the point that you can spare a bottle or two for cooking you will be following in the rich tradition of Cuisine à la Bière, and doing something not many people are willing to with a 15 dollar bottle of commercial sour beer. Sour beers lack the hop bitterness that hampers cooking with other styles in many applications. They excel in deglazing pan drippings, or in reduction sauces, taking the place of both wine and vinegar. Remember to reserve a small amount to add right at the end if the flavor needs to be brightened. A pale sour beer can work wonders either replacing the vinegar in a vinaigrette or part of the citrus juice in ceviche. A rich strong sour beer can take the place of port to add complexity to a stew. If you are making a sauce with fruit, try using a beer brewed with the same fruit.

While sour beer can complement a recipe, it can also be the star. Sour beers can be churned into sorbet rather easily as alcohol lowers the freezing point, thus reducing crystallization and in turn lessening the amount of sugar required to achieve a smooth texture. Use a decent sour beer, but it is not worth using your best vintage. Start by allowing the beer to degas (a mixer, blender, or whisk will expedite this process), because dissolved carbon dioxide will disturb the texture of the sorbet. Mix in a quarter cup (60 mL) of sugar for each 12 ounces (355 mL) of sour beer. The more sugar you add the finer the ice crystals and texture of the finished sorbet will be, but I find that excessive sweetness veils the acidity and complexity of the beer (something the cold contributes to as well). Churn the sweetened beer in an ice cream maker following the manufacturer’s instructions. You can allow the sorbet to harden in the freezer, or it can be consumed immediately if chilled bowls have been prepared in advance. Add whole fruit if you want to complement the flavors of the beer, or boost an already present fruit component.

Even the wood from a retired barrel has a use, smoking meats, cheeses, or vegetables. Add the beer-saturated wood as you would hickory, alder, or mesquite to your grill or smoker. It will take trial and error to determine what level and application works best for the flavors of your particular oak, but that is just a good excuse to cook and eat delicious food. This is certainly more fun than turning an old barrel into a planter, or burning them for fuel as Cantillon does.

For more information on cooking with sour beer visit Sean Paxton’s Homebrew Chef blog: homebrewchef.com or read one of the many articles that he has written on the topic.