Monday, June 23, 2014

American Saison - Reimagining Farmhouse Brewing

Originally part of American Sour Beers: Innovative Techniques for Mixed Fermentations
Adapted and updated from The Cult of American Saison with Nathan Zeender - BYO July/August 2011

American brewers have been inspired to recreate every style and sub-style of beer brewed anywhere in the world in their own breweries and backyards. Of the hundreds of styles defined for brewing competitions saison evades classification most effectively. Ascribing a precise definition to it is impossible, but they are united by their yeast-driven, phenolic flavors and high attenuation. Practically any wort properly fermented with a saison yeast strain, could justifiably be called a saison. Saisons cover the gamut from refreshing-straw-colored-quenchers to dark-complex-vinous-sippers. The romance of saison is that it offers the creative brewer diverse seasonal and localized variation, harking back to the time when these beers were an agricultural product of farm-life tied to the harvest. While saisons do not always feature sour or funky flavor, the best ones from both America and their native Belgium often do.

No prettier sight than homebrewed saison!Saison has a storied tradition, but is now relegated to the fringes in its Belgian home. However, it has found a strong revivalist movement among today’s artisan brewers all across the United States. Yvan De Baets, brewer of Brasserie de la Senne and Belgian beer scholar par excellence, does not hold back when it comes to saison, “I feel gratitude to the U.S. brewers for the sincere interest they have in saisons and other traditional styles, from Belgium and elsewhere. This creates a movement, with serious literature, and a solid market, leading to the rescue of styles that are almost dying in their country of origin. To put it clearly: almost no one cares about saisons here in Belgium, and I am always touched to see the enthusiasm the Americans have for those monuments of the past.”

Much of the current fervor is traced directly to 2004 when Phil Markowski’s informative Farmhouse Ales: Culture and Craftsmanship in the Belgian Tradition (Brewers Publications, 2004) was published. It is hard to imagine any creative brewer reading De Baets’ inspiring 30 page chapter on the history of saison without their head spinning with ideas – the book that launched a thousand saisons.

Increasingly, breweries across the country are dedicating themselves to the production of variations on the saison theme: Upright, Funkwerks, Stillwater, and St. Somewhere, to name just a few. Jolly Pumpkin’s Ron Jeffries, was an early adopter of traditional farmhouse techniques. In this new school the term artisan has co-opted craft in stressing hands-on, small production marked by specialization, and an uncompromising approach. Dann Paquette, of Pretty Things Beer and Ale Project, declares that traditional saison is a style lost to history. His Jack D’Or anglicizes the tradition producing what he coins a “Saison Americain,” explaining, “I would support the idea of appellation contrôlée for European producers (of saison). We talk too much these days about beers as if they're flavours of ice cream. There's got to be more to it than that.”

Wort Production
An elementary recipe inspired by Saison Dupont, the archetype of the style, could be comprised of only water, Pilsner malt, and Saaz hops, but many American brewers opt for something more complicated. Saisons were originally refreshing beers brewed for summer consumption on the farm (the original lawnmower beer), but these days it is rare to see a commercial example under 6% ABV. Even if you are aiming for a strong beer, be mindful of pushing original gravity too high; with the high degree of attenuation 1.050 (12.4°P) wort can result in a 6.5% ABV beer.

Pilsner malt is the most common saison base malt because of the clean, crisp malt character it provides. The best practice with a recipe high in Pilsner malt is to boil the wort for at least 90 minutes to volatilize DMS. Many brewers choose domestic pale malt to reduce cost, and it makes a good substitute especially in darker saisons. Vienna or Munich malt is sometimes added to provide a bready flavor and golden hue.

As a nod to saison’s agricultural past, many breweries include malted or unmalted grains in addition to barley. Wheat is especially popular, but rye has also gained considerable acclaim in beers like the Bruery's Saison Rue, and McKenzie Brew House's Saison Vautour. Rye malt imparts both a telltale grainy flavor and protein, which adds body without sweetness.

Specialty malts are relatively rare in classic pale saisons, especially caramel/crystal malts which sweeten the classic dry finish. When they are included in the grist of even hearty saisons, keep them to a minimum. For dark grains, dehusked malts like Weyermann Carafa Special and debittered black malt are ideal. The dry finish of saisons accentuates aggressive malt flavors, so excessive amounts of roasted barley or black patent can result in a harsh character. If you want the coffee and chocolate flavors of these grains, try a cold extraction to minimize their acrid bite.

A single-step infusion mash is usually adequate, but undermodified base malts may benefit from a protein rest. The saccharification rest is usually performed below 150°F (66°C), sometimes as low as 142°F (61°C) as in the case of Pretty Things’ Jack D'Or, to ensure the requisite high level of attenuation. If you opt for a cool conversion temperature, you may need to extend the rest longer than the standard 60 minutes because beta amylase does not work as quickly as alpha amylase, which is more active at temperatures in the 150s°F (67-71°C). If you include a large portion of unmalted grain, conversion will take even longer. Remember that while a positive iodine test indicates the presence of starch, a negative test does not preclude the presence of excessive unfermentable dextrins. As insurance, some brewers employ two starch conversion rests, one in the low-mid 140s°F (61-63°C) followed by another in the mid-high 150s°F (68-72°C).

If you are brewing a high alcohol saison it is beneficial to get a portion of your fermentables from kettle sugars. The neutral character of table sugar is an economical choice if your only goal is to ensure a dry beer. More flavorful options like honey, unrefined sugar, candi syrup, and even dried fruit, are good choices if you want to impart additional flavors. If malt extract provides most of the gravity, then sugar should contribute at least 10% of the fermentables, even in moderate gravity versions.

Hopping
Saisons are hopped with a wide variety of strategies from subtle to assertive. Early boil hop additions are generally moderate because the lack of residual sweetness accentuates bitterness. A small addition of hops late in the boil for aroma is common. Many American brewers are foregoing the traditional European hops in favor of brighter citrusy varieties from American and New Zealand, which complement the spicy qualities of the yeast.

Dry hopping is a good choice for saison because it contributes aromatics without increasing bitterness. There are several saisons that are so hoppy that they could easily pass for West Coast IPAs, such as Willimantic Brewing Co.’s Dyvil Hopyard Double IPA and Cabinet Artisanal Brewhouse’s Freshop Saison. However, unlike a standard IPA, even after the hops fade the yeast aromatics remain giving the beers a second life.

WY3711 French Saison fermenting in a carboy.Fermentation
Saison is a style primarily defined by its yeast, so when planning a recipe, yeast selection is paramount. The common traits that all saison strains share are the production of more spicy and peppery phenols than fruity esters, a high degree of attenuation, and a preference for elevated fermentation temperatures. Despite their high attenuation many saison strains do not leave an overly thin beer thanks to high glycerol production (making them a good pairing with Brettanomyces, which does not exhibit strong glycerol production). These strains do not need to be stressed; aerate and then pitch as many cells as you would for any other beer to avoid excess ester and fusel alcohol production.

Dupont
The Saison Dupont strain is available from both Wyeast (Belgian Saison - WY3724) and White Labs (Belgian Saison I - WLP565). Dupont is the saison yeast that all other strains are measured against. At temperatures from the mid-80s°F (30°C) into the low-90s°F (32-33°C) it produces a spicy blend of pepper, yeast, and fruit without noticeable fusel alcohol production. Patience is required because the yeast can take several weeks to attenuate a beer completely even at these elevated temperatures; at lower temperatures fermentation often stalls with considerable gravity remaining.

Bob Sylvester started fermenting his beers at St. Somewhere with a pure culture of WLP565, but experienced sluggish attenuation. However, as he explains it “[The yeast] took several generations to acclimate to the brewery environment. The first few batches took a couple of weeks to fully attenuate. We now reach full attenuation, typically down to almost zero, in three days. Seventy some odd generations later, along with whatever wild yeast picked-up from the air, I am convinced, what is now our house yeast, could ferment water. I pitch at a much higher temperature than normal, 80°F (27°C), and let it rise as it will to 90°F (32°C) or so.” He swears by the character he achieves from open fermentation in flat-bottomed wine fermentors.

White Labs produces another strain, Belgian Saison II (WLP566) that is rumored to be a different isolate from Brasserie Dupont. WLP566 has a similar character to WLP565 (although it tends to be slightly fruitier), but is less finicky to work with.

Open fermentors at Upright Brewing Co.French Saison
This strain, rumored to originate from Brasserie Thiriez, is available from Wyeast as WY3711. It produces fully attenuated beer, with a mild pepper character and more tropical fruit than other saison strains. It has gained many devotees in the U.S. because it is less temperamental than the Dupont strain. While the character of the finished beer benefits from fermentation temperatures in the low 90s°F (32-33°C), the strain will attenuate completely at temperatures as cool as the mid-60s°F (18°C). Despite rarely finishing above 1.004 it leaves an impression of body. French Saison is also an ideal strain for extract brewers who do not have as much control over the fermentability of their wort.

Like many brewers, Alex Ganum the founder of Upright Brewing, liked the flavors produced by this strain. “We use the Wyeast 3711 which I love for the fact that it produces lots of different flavors in the different worts we put it in which makes it easy for our beers to be distinct among themselves. Lots of people would probably say that they love how well it attenuates although I consider it over-attenuating and we often struggle to get the yeast to just quit at some point. It makes bottle conditioning a bit of a pain as you could imagine.” Ganum has since switched yeast a couple of times. First to an isolate from a bottle from De Ranke, and then to Wyeast 3522 Belgian Ardennes a strain he finds performs well with their open tanks and the moderate Pacific Northwest climate.

Jeff Stuffings of Jester King Craft Brewery finds BSI's French Saison strain, which serves as their house strain, to be slightly different than Wyeast’s version, despite the same source. After brewing a version of Le Petit Prince (Jester King’s 2.9% ABV table saison) at Brasserie Thiriez with the brewery’s actual house culture, he found that it was a bit cleaner with more pepper and less fruit than the French saison strains available from American yeast labs.

Though not from the same source, White Labs Saison III (WLP585) produces some similar tropical fruit notes, a slight tartness, and is easy to work. While it dries out the beer adequately, not overly so like WY3711. I typically see about 90% apparent attenuation with this strain.

Bière de Garde
For homebrewers this strain from Wyeast (WY3725) is only available at certain times of the year as a seasonal release. It ferments well from the mid-60s°F (18°C) into the high-80s°F (31°C) and is highly attenuative, even in worts with specialty malts. Despite the name, it is rumored to have been isolated from Fantôme. WY3725 produces a relatively clean character compared to most other saison strains at the lower end of the temperature range. Allowed to ferment warmer the flavor becomes considerably fruitier. WY3725 is easy to work with and performs well in stronger beers with assertive flavors, complementing spices especially well.

Farmhouse Ale
This other seasonal release (WY3726) is a close cousin to the Dupont strain, with a supposed origin at Brasserie de Blaugies. Swapping the tropical fruity notes of French Saison or Saison II for heavier banana, it provides a classic dry peppery saison character, and is again easier to work with than Dupont.

Danstar Belle Saison
First released in 2012, this was the first dried version of a saison yeast onto the market. It is a highly attenuative strain, creating a dry beer in a relatively short period of time. The flavor however, lacks the earthiness and spice of the best liquid strains. Belle Saison is also a prodigious sulfur producer, so extended conditioning may be necessary.

Blending Strains
White Labs produces Saison Ale Yeast Blend (WLP568), which retains some of the character of their Belgian Saison strain while increasing the rate of attenuation. However, if you have problems getting the Dupont strain to perform I have achieved more saison-like results by blending it with a more attenuative saison strain rather than a standard Belgian ale yeast. In 2011 White Labs released American Farmhouse Blend (WLP670), which contains Brettanomyces from The Lost Abbey in addition to a saison strain. The blend is easy to work with and creates a combination of rustic Brettanomyces funk, and peppery yeast.

East Coast Yeast produces two saison blends: Saison Brasserie (ECY08), a blend of several saison strains which works quickly and gives a nice spicy character, and Farmhouse Brett (ECY03) which has the same blend of saison strains with the addition of a strain of Brettanomyces isolated from Fantôme. When I used an early version of ECY08 I found it to be banana-heavy when young, but after mentioning this to Al Buck he removed the responsible isoamyl-acetate producing strain.

Rather than buying a pre-packaged blend from a lab, you may want to take a cue from Peter Hoey who combined the Dupont strain with 5% French Saison yeast to get the classic character with added speed and attenuation in his now defunct Odonata Saison. Dann Paquette of Pretty Things, also makes a custom blend, “We basically sort out our yeast before pitching and the blend is kind of like 50%, 35%, 14%, 1% (yes, you CAN taste that last yeast in the beer).”

I've also had promising results with the first batch I fermented with The Yeast Bay's Saison Blend. It did a fine job drying the beer out, and produced enough peppery character to cut through an aggressive hop schedule without muddling it.

Some breweries blend in their neutral house ale yeast to assist with attenuation, but concerns are possible about the flavors that strain will produce when exposed to the high fermentation temperature preferred by the saison strain. If you lower the temperature you are further reducing the attenuation and flavor contribution of what should be the primary strain, reducing the most prominent character of a saison.

Fermentation Temperature
While many breweries allow their saison fermentation temperatures to rise close to body-temperature, this may not be ideal for homebrewers. The pressure created by large volume cylindro-conical fermentors at commercial breweries suppresses ester production. I have had the best results from pitching near the low end of strains’ suggested temperature ranges, allowing the fermentations to warm slowly as the yeast works.

Many homebrewers who lack fermentation temperature control brew saisons in the summer when they are unable to brew with yeasts that require lower temperatures. This approach is risky because sudden temperature drops can cause the yeast to stall before fermentation is complete, and temperature spikes can result in the production of hot fusel alcohols or even kill the yeast if the temperature rises too high. Homebrewers relying on the ambient temperature to heat the fermentation should try to find a location that has a relatively stable temperature about 5-7°F (3-4°C) degrees below your target fermentation temperature; the exothermic yeast activity will heat the fermenting beer the rest of the way. Placing the fermentor in a large bucket of water will insulate it from the daily cycle of temperature changes.

If the temperature is too cold for the yeast, heat the fermentor with a Brew Belt, or place the fermentor in a water bath with an aquarium heater or in an insulated box with a ceramic reptile heater. The easiest way to regulate the temperature with these methods is to attach a temperature controller (like the ones many homebrewers use for their kegerators) that has a heating mode.

Terry Hawbaker, while brewing at Cabinet Artisanal, turned to a saison yeast strain (Wyeast 3711) to allow him to use fermentors whose glycol cooling jackets did not function. This takes a great deal of skill because as the temperature climbs unconstrained the yeast becomes even more active and will push the temperature higher still.

Ryan Michaels in the mash tun at McKenzie Brew House.McKenzie Brew House
The Philadelphia-area-based McKenzie Brew House has commanded gold in French- and Belgian-Style Saison an astounding three out of the previous four years at the Great American Beer Festival® for their Saison Vautour. Remarkably each of the three wins came with a different treatment of the same base recipe: first clean fermented in stainless steel in 2007, followed by “accidentally on purpose” Brettanomyces spiked by their bottling equipment in 2009, and most recently wine barrel fermented with a mixed-microbe culture in 2010. Sadly with the exit of their brewing duo, Ryan Michaels and Gerard Olson, it remains to be seen what direction the brewery will take.

Their funky saisons were fermented with White Labs WLP566 (Belgian Saison II) for two to three days in a conical tank. Once active fermentation peaked, the portion of the beer to be soured was pumped into barrels which had been colonized by a variety of strains of wild yeast and bacteria. For the most part the source of these strains was bottle dregs from their favorite sour beers, which were added directly to the barrels without additional culturing. One of the highest complements I have been paid by a brewer was having Michaels pour the dregs from the second vintage of our dark saison into one of his barrels. Pulling samples from the different barrels with the same unsanitized thief also spreads those microbes from one barrel to the next.

When Nathan Zeender and I brewed a collaboration with them, we settled on a beer that would bridge the Belgo-French farmhouse traditions we named Irma Extra, a saison-bière de garde-bière de miel mashup fermented and aged in oak. The aim was to craft a beer that would offer a broad palette of elements that could be pieced back together after the beers had ripened separately. A single wort was split to produce four distinct variants: a clean version in stainless steel (Irma), a funky version in a red wine barrel, a miel version in a red wine barrel with a blend of honeys added directly to the barrel to preserve their aromatics, and a version in an apple brandy barrel to accentuate the classic caramel apple character indicative of bière de garde.

While most of the stainless steel fermented portion was served on tap without being soured, it was also available for blending to soften the barrel-aged beer. The base beers for most of the McKenzie Brew House sour beers are also served clean, which means that neither the recipe nor primary fermentation can be tailored. It also leads to the creation of beers that they might not have set out to brew otherwise, like a sour Baltic porter (Oer Faute). Their dry-hopped Tristessa is one of the better hoppy funky beers I have tried it was created by adding several hops socks to the barrel for the last few weeks of aging. Their Grisette (a close cousin of saison) is reminiscent of historic saison, a delectable session ale with enough sourness to enhance its refreshing wheaty flavor.

Beers age until they taste ready, which is rarely fewer than three months. It is an admittedly unscientific method, but the results are often stunning. Assistant brewer Gerard Olson would occasionally collect extra wort in a carboy to inoculate with dregs. This starter served as a good source of microbes for repitching beers at bottling or kegging. All beers are naturally carbonated and hand bottled for sale at the three McKenzie Brew Houses. When you are only doing small bottling runs for direct sales you do not have to worry about achieving the same level of consistency as a brewery that distributes. Irma Extra turned out to be a wonderfully complex saison with big notes of apple and berry, and a pleasant lactic sourness. As it warms a bit of oak comes out, but it maintains a highly drinkable balance.

Olson has since gone on to open Forest & Main Brewing Company in Ambler, PA. It is a small brewpub housed in a renovated 19th century house just outside of Philadelphia where he brews a half dozen saisons including several traditional farmhouse versions close to 4% ABV, while his partner Daniel Endicott focuses on authentic English cask ales. I've been as impressed with the beers he has brewed there as I ever was with those at McKenzie. 

Wednesday, June 18, 2014

Reality Czeck Inspired - Pilsner Tasting

Jacob bought me a Blichmann HopRocket a couple years ago when I started brewing test batches for Modern Times Beer (First Anniversary Party Tickets). As he was planning on having a huge hop back on the 30 bbl system, we wanted my homebrew batches to be as similar as they could be for beers like Fortunate Islands and Blazing World. Until I brewed a Pilsner a couple months ago, I hadn’t brewed a batch run through the HopRocket that wasn’t also dry hopped. That made evaluating the true impact of it difficult. 

A glass of my second batch of Reality Czeck Inspired Pilsner.Reality Czeck Inspired #2

Appearance – Terrific head. Dense stiff-peaks egg white protein structure. Rises up and out of the glass initially, and doesn't drop much during a few minutes of picture-taking. Body is nearly clear, but not brilliant. I can read through the beer, but it has some haze. Guess I'll call it a kellerpils.

Smell – Hoppy - grassy and herbal. Present, but not as assertive as I hoped for with the large whirlpool and hop-back additions (4.5 oz of Perle total). Pleasant sulfur from the lager yeast (SafLager W-34/70), but otherwise clean. Grainy pilsner malt. A bit of everything, but not a lot of anything.

Taste – The flavor is classic Czech Pilsner (despite the predominantly American ingredients), more rounded than German(-style) examples. Firm, but not overwhelming bitterness that doesn’t linger. The finish is crisp grainy malt, and again slightly lagery-sulfury. It is a solid, if unremarkable, Pilsner. Very fresh and vibrant compared to most imports, but not nearly as hoppy and dry as my favorite American examples like Victory Prima, Tröegs Sunshine, and Moonlight Reality Czeck (obviously).

Mouthfeel – Fuller than I expected, especially given the starting gravity. Not chewy, but it doesn’t have the snap I look for in the best Pilsners. Carbonation is solid, about all 10 feet of line can muster without pouring half foam.

Drinkability & Notes – Solid, clean, composed, pleasant, but not mind-bending. Not that there’s anything wrong with that. I wasn’t trying to brew and IPL, but I wanted the Perle to jump out of the glass a little. Nice to have a beer on tap I can serve to my neighbors without having to give a long explanation though. Next time I'll drop the mash from 153F to 150F to help dry it out (and up the hops too!).

Tuesday, June 3, 2014

Two New Pages: Microbes from Dregs and Labs

Two of the most valuable and time consuming sections I wrote for American Sour Beers didn’t make the final cut, and I couldn’t be happier!

I updated and greatly expanded my list of commercial sour/funky beers that contain viable bottle dregs. To do this I talked to staff at dozens of breweries to get the information on what categories of microbes (Brett+Bacteria, Brett, or Bacteria) are in their bottles. While this information is valuable for harvesting microbes for isolating or repitching, it will also give you a hint of how these beers are produced.

Some brewers prefer a bit more control and repeatability in their souring process, so I also compiled a list of the microbes and blends available from labs (and collected by hobbyists). I tried to include every blend and isolate of wild yeast and bacteria on the market today, but it is tough with so many small yeast labs popping up. I tried to include notes on the strains I have experience with. It is relatively easy to isolate new strains, the real work will be in determining which strains are valuable, for what, and under what conditions!

Why am I so happy that so much of my hard work was cut? Because, in both cases the information is likely to change and expand over the coming years. As pages on the blog, I can keep them current, rather than leaving them as static sections of the book. There are so many new sour beers and microbes coming onto the market though that neither will ever be comprehensive, but I’ll try! If you’d like to dispute anything, or offer additions, please leave comments on the respective pages.

Next week I’ll be at the National Homebrewers Conference in Grand Rapids, presenting on “The Influence of Mashing on Sour Beer Production” (look for a video on a future episode of Chop & Brew). While I'm there I'll also be talking to James Spencer (for Basic Brewing Radio), and signing copies of American Sour Beers (the AHA pre-sale is on soon, and the book will be available at the conference)! Also listen for the premier of my spot on The Brewing Network during their live show this Sunday.

Monday, May 19, 2014

American Sour Beers - Foreword and Cover

I emailed my first sour beer question to Vinnie Cilurzo of Russian River Brewing Co. in June 2008. He answered that one (about the pluots added to Compunction), and probably 100 more questions since about barrels, bugs, and bungs. I doubt either of us would've believe that during those six years he'd go from answering my newbie questions to writing the foreword for my book! His agreeing to contribute to American Sour Beers was at least as big an honor as Brewers Publications agreeing to release the book in the first place. I was also happy to have him read the manuscript and provide several invaluable comments.

After a couple of placeholder covers online and in print ads, here is the real deal. The glassware and fill-level were both topics of great debate (I only had a minor say). Luckily I'm really pleased with the result! It looks a bit more slick and modern than the Belgian trilogy (Brew Like a Monk, Farmhouse Ales, and Wild Brews), which is in keeping with the topic. If anyone is wondering, that's New Belgium La Folie in the glass.



I'm sure you're all tired of reading about the book after three years, so you'll be glad to hear that American Sour Beers will be released in less than a month. Your first chance to have a copy in your hands will be at the 2014 National Homebrewers Conference in Grand Rapids, MI. Coincidentally... I'll also be presenting (twice) about The Influence of Mashing on Sour Beer Production. There will be an online pre-sale for AHA members soon, and everyone who pre-orders on Amazon will be getting it around the same time. There will also be a Kindle version released in a few months if you prefer reading electrons instead of ink.

Tuesday, May 13, 2014

Honey Sour Beer - Experiment

If a beer recipe calls for "honey" without specifying a varietal, it might as well call for "malt" and "hops" with similar imprecision. The plants where colonies' bees collect nectar determines both the aromatic and sugar profiles of the honey they produce. In general the paler varieties (e.g., clover and alfalfa) have mild flavors, fruit blossom honeys (e.g., raspberry and orange blossom – which despite its name can come from any citrus) tend to possess more assertive aromatics reminiscent of the plant’s fruit, and darker honey (specifically buckwheat) is pungently reminiscent of old malt extract. Wildflower honey varies by location and season, so taste it to decide what type of beer it suits best.

While mead is the truest (and sometimes overwhelming) expression of fermented honey, beer and honey had a relationship millennia before bland honey wheat beers were invented. While honey is not a common addition to sour beers, there are a handful of terrific examples: Bullfrog Beekeeper, McKenzie Brew House's Irma Extra, Cambridge Brewing Honey Badger, and Hill Farmstead Ann. My orange-blossom honey infused Flower Sour was delicious, which makes me wonder why I waited five years to brew something similar again!

Do a favor for the 12 bees who worked their entire lives to produce each teaspoon of honey, add it as late in the brewing process as possible. Heat from the boil and the carbon dioxide from fermentation will scrub out the aromatics that make honey so much more interesting than high-fructose corn syrup. Honey demands greater care than other sugars because its floral notes are so volatile. At a minimum I wait until after primary fermentation. If saved until the beer has already been souring for several months, the honey will feed the dominant bacteria and Brettanomyces. Luckily, unlike fruit or hops, honey aroma does not fade quickly with age. Priming with honey traps the aromatics in the bottle, but the variable sugar content makes it a gamble.

For this batch I decided to go back to my "split-batch" experimental ways. I purchased small quantities of five interesting varietal honeys. Each one is solely flavored by the nectar collected by the bees (not by fruit or extracts added to a neutral honey): Indian Acacia (winey/hay), Raspberry (Lucky Charms), Blueberry (berry/malty), Gallberry (herbal/spicy), and Sourwood (waxy/floral - classic honey). After primary fermentation was complete I added eight ounces by weight of each honey to five 1 gallon jugs and evenly distributes the beer between them. It will be interesting to see how much my tasting notes of the finished beers recalls those for the unfermented honeys.

As much as I enjoy drawing inspiration from commercially brewed beers, and more recently working on commercial recipes, I'm trying to take advantageous of the things I can do as a homebrewer that are difficult or impossible on a larger scale. In this case that means using ingredients that either don't exist in large enough quantity or simply cost too much to make them economically feasible in commercial batches.

Honey Variety Pack Sour

Recipe Specifics
----------------
Batch Size (Gal): 5.50
Total Grain (Lbs): 10.13
Anticipated OG: 1.055
Anticipated SRM: 3.8
Anticipated IBU: 15.5
Brewhouse Efficiency: 71 %
Wort Boil Time: 90 Minutes

Grain/Sugar
--------------
59.3% - 6.00 lbs. German Vienna Malt
9.9% - 1.00 lbs. Flaked Soft White Wheat
4.9% - 0.50 lbs. Flaked Barley
1.2% - 0.13 lbs. Acidulated Malt
24.7% - 2.50 lbs. Honey (Secondary)

Hops
------
0.50 oz. Mosaic (Pellet, 10.00% AA) @ 45 min.

Extras
--------
0.50 tsp Yeast Nutrient @ 15 min.
0.50 Whirlfloc @ 15 min.

Yeast
-----
The Yeast Bay Vermont Ale
East Coast Yeast ECY02 Flemish Ale

Water Profile
----------------
Profile: Pale, Low Hop

Mash Schedule
-----------------
Sacch Rest - 45 min @ 156F

Notes
-------
Brewed 3/17/14

8 gallons Whole Foods Spring water. 2 g CaCl added to both mash and sparge.

Batch sparge, collected 7.25 gallons at 1.029.

Boiled down to ~5.5 gallons racked 5 gallons clear-ish to 6 gal BetterBottle. Chilled to 70 F. Pitched a half cup of Yeast Bay Vermont Ale harvested from Fortunate Islands #4, plus a 6 month old vial of ECY Flemish.

Shook to aerate, left at 65F to ferment.

4/13/14 Racked to five 1 gallon jugs with  with 1/2 lb each Heavenly Organic Acacia, Fruitwood Orchards Raspberry, Fruitwood Orchards Blueberry, Winter Park Gallberry, and Winter Park Sourwood honey. Added a 1/2 cup of warm water to each to help the honey dissolve.

10/1/15 Bottled all five versions with 1 oz of the same honey they were brewed with. No extra yeast, we'll see if I regret that. 

4/4/16 Tasting notes for all five. Gallberry was the most interesting, sourwood was the most honey-forward, and blueberry would shine in a darker beer,

Thursday, May 8, 2014

Kvass - Liquid Sourdough Beer

Adapted and expanded for American Sour Beers from Kvass Revival - BYO December 2010 written with Nathan Zeender. Originally it was its own chapter, then a part of Adding Spices and Herbs, and finally removed.

Kvass - Liquid Sourdough

In the summer of 2010, Scott Smith invited my friend Nathan Zeender (now head brewer at Right Proper Brewing Company) and me to join him at East End Brewing Co. to brew a batch of kvass. Smith was a longtime homebrewer before opening East End Brewing in 2004 and that spirit still pervades his operation. In addition to year-round beers, he is constantly brewing innovative and experimental beers with abandon, a sense of humor, and not a trace of pretension (which is a perfect match for Pittsburgh). The recipe for the batch we brewed, dubbed Wood St. Kvass, included 60 loaves of stale rye bread, supplemented with a mash of Pilsner malt, brown malt for toasty bread crust flavor, and rye malt to boost the flavor from the bread.

Kvass, from the Russian word meaning to leaven, is a millennium old, low alcohol (generally between .5% and 2.5% ABV) folk beer brewed from stale bread. Whether you bake your own bread or buy it from a bakery, it should not contain added oil or fat, as lipids can disrupt the head retention of the finished beer. Whole grain rye and wheat do add small amounts of oil, but not enough to disrupt head stability or mouthfeel. Avoid bread that tastes especially salty, while a slight salinity can enhance the malt flavor you never want a briny beer.

Our work started the night before brew day, driving to Wood Street Bread Co. to pick up the five dozens loaves of stale rye bread. That night we sliced the bread into large chunks and mixed it with roughly 1 gallon (3.8 l) of 190°F (88°C) water per loaf in a large modified hop-back. Stale bread is not necessary, but it is certainly a way to use food that would otherwise go to waste. After stirring to ensure all of the bread was saturated, it was left undisturbed overnight to give time for the bread to hydrate. An insulated cooler is useful for mimicking this process at home. It is not a major issue if the water cools off overnight because the high initial temperature will kill any lactic acid bacteria present.

The next morning we returned to the brewery for mash-in. After the starches in the mash were converted, we turned our attention back to the bread, which had absorbed the water and disintegrated into a thick doughy mass. We took turns using the mash paddle to encourage the liquefied bread to pass through the metal grate at the bottom of the hop-back where it could be pumped into the boil kettle. Starch is something brewers usually try to avoid getting into their boil, unless they are performing a turbid mash; it was hard not to laugh as we watched as chunks of bread goo shoot through the sight glass. Smith pumped the runnings from the mash into the kettle, mixing with the bread to create a milky-opaque wort.

Kvass wort attempting to leave the kettle.At home it is much easier to transfer the liquefied bread into the kettle, simply pour it in. If the bread does not breakdown on its own, a mash paddle or immersion blender will finish the job. Getting the bread into the boil kettle is not the end of the challenges. The bits of bread tend to settle as the wort comes to a boil and can scorch if stirring is neglected for even a few minutes. The starch from the bread also makes boil-overs an ever-present danger, from the time the wort comes to a boil until flame-out. Standing next to the kettle was a hose, Smith frequently sprayed back the rising foam.

If the bread was not enough of a clue that we were brewing out of the ordinary, the hop schedule was another hint – 7 ounces (200 g) of low alpha-acid Styrian Goldings in 11 barrels (12.9 hL) – enough for a single IBU in the 341 gallons (1,291 l) of wort. Along with this meager hop addition, we added 1 pound (.45 kg) of caraway seeds, pulverized in a coffee grinder. Caraway is the dominant flavor in so many rye breads that its warm flavor is inextricable from the flavor of the grain in many people’s minds. As with adding any spice to beer, it is a balancing act to get a recognizable flavor to come through without trampling the drinkability of the base beer. After a short 30 minute boil, followed by whirlpool and heat exchange, the wort was ready for fermentation.

Bread yeast is the same species as ale yeast (Saccharomyces cerevisiae) and was historically procured from the town brewery in the days before active dried bread yeast became available at the supermarket. The yeast strains marketed for bread making have been selected for their ability to start fermenting quickly. When pitched into wort, active fermentation occurs as rapidly with a small amount of bread yeast as it would with a standard pitch of ale yeast. Bread yeast, however, is not selected for its flocculation properties, so do not expect to have a crystal clear beer soon after fermentation is complete.

At East End, the majority of wort was transferred into a cylindro-conical tank for fermentation. A modest 2 tablespoons (30 mL) of Red Star active bread yeast was rehydrated in warm water and pitched for the entire batch – about the same number of ale yeast cells suggested for 5 gallons (18.9 l) of barleywine. Despite this minimal pitching rate, Smith typically sees active fermentation begin fewer than 24 hours after pitching.

Dried bread yeast is not produced under the same tightly controlled conditions as dried ale or lager yeast, and as a result often has resident populations of both Lactobacillus and wild yeasts. The additional microflora are not a concern when quickly rising a loaf of bread, but pitched into wort the odds that sour or funky flavors will develop after weeks or months of storage are high. If you want to discourage the formation of lactic acid, aim for at least 10 IBUs and drink the kvass young.

Smith had discovered when he aged a previous batch of kvass the brew took on a complementary lactic sourness. To replicate that character he pumped the remaining 140 gallons (530 l) of the thick wort into two long-used oak barrels located in the brewery’s attic. A warm primary fermentation in porous oak encouraged a mixed fermentation with wild yeast and acid-producing bacteria. One of the barrels eventually tasted off, but last I heard the other barrel was still aging.

With all the valuable knowledge gleaned from our time at East End, along with historical inspiration, Zeender and I returned home with ideas of what kvass could be in our hands.

For our first kvass we scaled the recipe directly from East End's brew sheet and included a loaf of home-baked rye bread. Active fermentation was swift and completed in a few days at a warm enough temperature to encourage lactic acid production, 75°F (24°C). The result was a spritzy, lactic, and thirst quenching beer with a hint of caraway. This combination is reminiscent of a traditional way of enjoying Berliner weisse, with a shot of kümmel (caraway liqueur).

For our second iteration we took inspiration from the folk beers of Scandinavia to create a winter kvass that included smoked malt, fresh spruce clippings, and dried elderberries. Whereas the East End’s kvass is an ideal summer beer, we sought to brew a kvass for the cooler months with referenced images of evergreens and the hearth, more brooding, unhopped, and slightly stronger. As a baseline for this more robust brew we added a loaf of homemade dark pumpernickel bread, and again fermented warm with bread yeast.

We decided on a clean version for our third variation, a hybrid brown porter-kvass. English porters historically got their bread crust character from brown malt. By adding a loaf of pumpernickel bread as well we aimed to enhance this character. We also increased the hopping rate and fermented with ale yeast to prevent souring. I infused half of the batch with a caraway tea at bottling to boost the bready impression.

These three beers are only the beginning of the flavors you can play with in kvass. Let it be an arena of the imagination – think black bread, honey, juniper berries, ferment with a sourdough starter, etc.

Beaver Brewing Kvass

While East End’s beer and our variations were inspired by kvass, they are considerably stronger than any of the traditional versions. Despite being located in the same state as East End, Dan Woodske, who runs the Beaver Falls nano-brewery Beaver Brewing Company and wrote Kvass: History, Health Benefits, & Recipes for the Russian Bread Drink (Volume 1), had not tasted Smith’s kvass before deciding to brew his own. Woodske’s version is more reverent of traditional homebrewed versions, complete with an ever changing recipe.

Beaver Brewing Kvass, and a few of the ingredients.Even though Woodske brews on a 1.5 bbl (1.75 hL) brewing system, he brews his kvass in 15.5 gallon (59 l) batches. Rather than spicing with caraway, he flavors his version with lemon juice and raisins. For each batch he adds four or five loaves of bread, which he slices and then stales for several days, to the boil. Woodske adds the legal minimum amount of barley malt for the brew to be beer under American law. Along with the pale malt he usually adds either wheat or rye malt. Four or fewer IBUs from Hersbrucker, or another low alpha acid variety, are added to the boil.

The juice, about one lemon per gallon (3.8 l), and whole raisins are added to the fermentors along with a small pitch of dried bread yeast. Woodske has tried spontaneous fermentation before, and noted that adding yeast shortens the fermentation considerably. The beer is open fermented in homebrew-sized plastic buckets left near a window to keep them warm. Developing light-struck (skunked) flavors is not a major concern because of the low hopping level.

Woodske’s monthly batches are intentionally variable, including different types of bread (e.g., rye, pumpernickel, and sourdough), and gaining a variable amount of sourness from the open fermentation. He also alters the lemon character by sometimes adding the juiced halves for the last few minutes of the boil, but no more than five minutes because he has found that longer times impart a pithy bitterness.

Beaver Brewing Kvass is only available on draft or in growlers at the brewery because Woodske feels such a low alcohol beer (typically 1.5-2% ABV) requires a level of explanation that a bar would not provide. His proudest moment for the beer was serving it to a man who had lived in Soviet Russia. This man had stopped drinking kvass in the 1990s when the only ones he could find were the overly sweet versions made by soda companies, like Coca-Cola, who have dominated the market since the fall of communism. Beaver Brewing’s version had the taste he remembered.

Conclusion

Just like anything in brewing sour beers, there are many ways that brewers have discovered to get a job done. Even if brewing traditional kvass does not appeal to you, consider a bread yeast fermentation as a good way to produce a low gravity sour ale or adding bread to the boil as an alternative method to introduce starch without a turbid mash (or to an extract beer). When it is baked, bread develops many of the same melanoidins that malt does when toasted, providing more flavor than adding refined flour or starch directly to the boil. These are just some of the tools you can use to brew something inspired by the kvass tradition, or create a beverage of your own design.